Archive for May, 2008

Rikki – “Suteki Da Ne” Review

“Suteki Da Ne” is the vocal theme of Final Fantasy X and is sung by Rikki. The song is a ballad with a swaying beat, an absolutely fantastic violin solo (which actually differs from the OST version of the song, and in my opinion this version is far superior) and a completely unique vocal talent from Rikki. The vocals she provides are very high pitched and have a slight nasal effect, which is either good or bad depending on whether you like that or not, but apart from that, it’s a magnificent song, with a beautiful ending.

Normally, we are only treated to one new song on a single, but here Rikki pushes the boat out and gives us two!

“The Moon” is a song of Rikki’s, which is a piano, and vocal song. It’s very original in its concept, and if you like Rikki’s voice, you’ll adore this song, especially the chorus piece’s, which are very heartbreaking indeed. It’s an extremely timid and sad song, but has elegance to it as well.

“Pure Heart” is the big surprise here. With lyrics penned by Emiko Shiratori, the voice of Final Fantasy IX’s “Melodies Of life”, Rikki fronts a Celtic version of Final Fantasy VII Aeris’ Theme. Rikki’s voice either makes it or ruins it, depending on what you think of it when she goes ever so slightly off key at times. The rendition for me is a lovely adaptation of the theme. Surely other singles should be doing this to! To round of the album is the instrumental version of “Suteki Da Ne” which rounds of the album nicely.

To be fair, this is not going to be to everyone’s taste. Rikki’s voice is so distinct that if you don’t like it, you’ll be driven up the wall, but if it’s for you, then I suggest you snap this single up very quickly indeed as there are three fantastic songs here.

Hannah Fury – “The Thing That Feels” Falls Away

Eight years after its release cult singer songwriter Hannah Fury will be placing her début album “The Thing That Feels” out of print. The print run will end at the end of this month so if you are still wanting a copy of the quite astounding album you need to act fast. Downloads will still be available but still, a CD is always better! A review of her follow up full length album “Through the Gash” will follow next week to mark the event.

Visa Roster – Commodore 64 Vocally Review

The Commodore 64 has such a huge fanbase of people whom grew up loving the tunes made on the little console that tribute bands pop up in all shapes and sizes. The most interesting to date I’ve found are a band called Visa Roster – an vocal ensemble of six extremely talented vocalists. Taking old theme songs from various games they have made a couple of albums of vocal arrangements. Their début on the field is “***Commodore 64*** Vocally”.

“International Karate” kicks off the album with a superb rendition of the excellent track. Here you can hear beautiful harmonies, vocal leads, beat boxing and deep resonate vocal basses. It’s a beautiful piece that is my favourite on the album. If you are curious about the whole experience then check this song out first off. There is an cute encore at the end with what is a gentle tongue in cheek Chinese cultural part which rounds off the piece nicely.

“Human Race, subtune 4″ starts off like a space odyssey carefully wrapping harmonics and abrasive hummings together to create a space cruising soundscape that is very pleasing to the ear. It fades off into “Think Cross” which comes across as a Jazzy Scat piece with a slight funk feel to it. Its “Do-waah do-wahs” are staple to the piece but kudos must go to the beat boxing when the tune really stretches its legs.

“Mermaid Madness” is a clever rendition of a very well known classical piece that I shall not name as it will spoil the fun. “Shamus Case II” brings out the swing and classic sneaking element. Its a very short piece but very fun and showcase’s the leading ladies vocal talents. “Black Lamp, subtune 3″ reminds me of an old Christmas carol and definitely reminds me of the old festive spirit. The song itself is clever in its structure, repeating the same passage but each time slightly faster and more complex.”Think Twice III” is the first sombre song of the album. Just gentle and soft “oohs” lightly glitter the speakers for this one with light tsking of beat boxing.

“Armageddon Man” gives us the first non-vocal instruments as a piano is used here. The lead lady Hanna performs solo on this piece which showcases her talent again. We even have drums and bass for the second half of the track too! “Sweet” continues to use instrumentation before various monologues are spoken over the backing music before electric guitar takes over and then near choir like vocals finish off the track. The choir sections could get them sued by The Eurythmics with their famous “Sweet Dreams” song. While it is definitely a different track, its one of the more less played of mine on the CD for me.

“Comic Bakery” is another instrument track that sounds like a zooped up C64 track reprogrammed in a new synth memory board. Its superb and the vocals added on top really enhance the song and take it a step further. “Task III” takes things a step further creating an excellent dance piece using vocal scatting and various digital effects to bend the vocals into the original tune. Its a clever design that works very well. “Breakdance” then rounds off the studio songs with a mercifully happy funky dance song with some jazzy vocalised scatting over the top. It’s crazy cat parts make you fall in love with the song and quite frankly the group. The CD ends with “Spy Vs Spy Live!” taken from a C64 concert. It shows that they can pull of complex songs live and showcases the bands talent.

Without doubt I would recommend this CD and band to anyone. I contacted them to purchase their CD’s via their website. I found them through watching a C64 Audio concert DVD (also be to reviewed) and they sent me a personal e-mail back which was lovely. Buy, Buy, Buy!!!

Live Vault – Qntal

Qntal are hosts to this weeks Live Vault with fan favourite and one of the finest examples of how to do Gothic music without going over the top! Qntal’s “Maiden in the Mor” is a fantastic piece that builds and builds into its frenzied finale. New material may well be coming soon but nothings wrong with their old output at all! See the performance here.

The Black Mages – “Darkness and Starlight” Review

Back for their third outing, The Black Mages return with their stadium rock anthemic arrangements of Final Fantasy songs with “Darkness and Starlight”. The main change this time round is that there is a lot more keyboard work at play with the guitars and the interplay between them all makes it a real treat to listen to.

“Opening – Bombing Mission” is just as much about the keyboards as the guitars which chug away while the melodies fly at you at speed. It’s only at half way the guitars really power in and even then an organ boogies away. “Neo Exdeath” is very 80′s in its sound with lots of synths, its power rock drum beats and its chorus reprise guitar riffs. Is that a bad thing? Your opinion on 80′s rock will decide that.

“The Extreme” starts off eerily with acoustic guitar and various ambient noises and with added piano comes across like a space oddity. When the band kicks in its rocking hedonism all the way. “Assault of the Silver Dragons” comes across more like a half arranged song as it uses some very dated sounding synths and doubles them up with guitars which as a result doesn’t quite sound like a proper band. The song works with pace and drama but it sounds a little funny first time round. “Kurayaminokumo” works very well as an arcade track. It sounds like it belongs to a sonic boss instead of a Final Fantasy game which is a good thing as the music is playful, memorable and infectious.

“Distant Worlds” is an interesting one to arrange and its done mostly acoustically with additional piano until the final reprise which is like an Ayumi Hamasaki ballad! I actually really enjoyed the arrangement and am glad they done something a bit different.

“Premonition” again is able to come across dramatic and all encompassing with some excellent riffs and “Grand Cross” particularly works well for me because of the chugging guitar riffs throughout and the heavy drum work.

Then the finish “Darkness and Starlight” appears to be a rocked opera which takes some real getting used to. The song covers every genre ever made particularly in what seems to be a medley of various different songs (including the opera). It’s great to have a 15 minute freakout of all different things even if it is a tad random at times. The closer is “Life (In Memory of Keiten)” which is a short piano version of Final Fantasy VII’s Farm Boy.

I chose to not tell you what songs are arranged in a rock way so that you can enjoy discovering the opening chords to them but I can tell you that the arrangements are great. Some of the novelty has worn off from The Black Mages and the fact we still love them three albums in means the music stands on its own two feet. I recommend this to all fans of the first two albums which just a word of caution for those that don’t like keyboards taking over the main tunes to preview first.

Live Vault – Loreena Mckennitt

This weeks live vault comes from the live DVD released last year from world music queen Loreena Mckennitt entitled “Nights In the Alhambra”. The song is “Caravanserai” and the wonderful instruments coupled with Loreena’s magical timeless voice make for fantastic viewing. A great performance.

Cara Winter – “Butterfly” Review

Cara Winter is coming back into the spotlight with the release of her new album “Peter and the Whale” so before we can buy that and get our hands on it, we shall take a look back at Cara’s début album “Butterfly”.

The ten track album opens with the tentative “Seeds” which pitter-patters its way up your spine in a beautifully eerie way, just piano and vocal, like most of the album, but it never feels too sparse or underdone. The warm “Green Slippers” follows with Cara’s thought patterns of various journeys adding lyrical integrity to the mix. Then everything culminates for the magical “All I Love” which uncomfortably grows and grows into a great emotional crescendo, making it a personal favourite song of mine across the board. This is then followed by the delicate “Butterfly” which encaptures all that is pure in music today.

“Otherside” is the oddball of the album as its the only song to contain a constant drumbeat, albeit on hand percussion. It’s a nice touch as its really gives the song some oomph in what is probably the most single-istic track of the album. “Six Years” is a simplistic yet beautiful song which slowly whips up to a underplayed but powerful finale.

“Mr Malkovich” is the first of the two more abstract pieces which is a stop and start piece with an eerie piano section at the end but another personal highlight is “Over Hooked Lines” featuring some various electronic wizardry and some bottom end piano which is very welcome.

“Hallelujah” is the third of my personal favourites on the album that for me stand above the rest. There’s a certain pace to the song that used with male backing vocals and string arrangements really go straight for the jugulars and get your heart pinned to the floor. A phenomenal song. The album closes with the beautiful and delicate “Chimney” which leaves you wanting for more.

Thankfully we don’t have to wait long now but anyone who wants to have a spoonful of emotion with their music and enjoy singer/songwriters of ladies with pianos must sit down and give 100% undivided attention to Cara Winter – she’s a joy to behold.

Lauren Hoffman – Going To Be A Mum!

Completely missed by me (and news before the site was running) is that Lauren Hoffman will be a mum soon. Lauren is also in the studio again hopefully making a follow up to the fantastic “Choreography”. Congrats Ms Hoffman!

Vienna Teng – New Album Coming On Strong

Vienna Teng’s blog posts indicate that her new album is coming together quite nicely. It looks to be perhaps a more heavier album too judging by her comments on how complex her songs are to perform and get right due to lots of chords! Song names mentioned are “Stray Italian Greyhound” and “Augustine”. Can’t wait!

Shiina Ringo – 10th Year Anniversary Releases!

Shiina Ringo celebrates 10 years of music and to mark the event she’s releasing several new items.

The first is a DVD with all her music videos on including a new song called “Mellow”. “Identity” should be good fun to watch! The second is a b-sides and rarities CD entitled “Watashi to Hoden” which will be 2CD set containing 22 songs. There’s a ltd edition with a sticker and an ad for her anniversary concert. On top of this several albums will be reissued.

Happy Birthday Shiina!

Natalie Imbruglia – White Lillies Island Review

Natalie’s second album “White Lillies Album” is generally considered her most non-commercial and for that is to date her least successful of the three albums she’s released. That’s a shame as it contains some of the finest pop rock gems I’ve heard in years.

“That Day”, the first single from the album is complete change for Natalie with a fast paced vocal which is more like speed-talking than singing. It’s got a power to it though that after a few listens will grab you. Not my choice as a single but a fantastic song nonetheless. Similarly my favourite song on the album was also a single. “Beauty on the Fire” fuses electronica, rock and anthemic choruses for a fantastic song that was largely ignored by the public and I for one cannot understand why.

“Satellite” is very much like its came from “Left of the Middle” with upbeat acoustic driven pop melodies before “Do You Love?” showcases the harder edged side of Natalie that’s more apparent on this album which is made more hard hitting when followed by the sublime “Wrong Impression” which was the big hit from this album. Easily matching any other of Imbruglia’s singles this song is a perfect example of pop rock.

“Goodbye” is a slower melting pop of electronica and stadium rock with soaring vocals for a big climax. “Everything Goes” is a more traditional rock song that’s the most generic song on the album.

“Hurricane” though is a favourite of mine. There’s something particularly unsettling and beautiful at the same time with its quiet guitars and dampened string arrangement. Juxtaposed with “Sunlight” which is another more electronic/rock hybrid which reminds me of the more experimental songs from her debut album.

The final trio contain the acoustic based “Talking in Tongues”, “Butterflies” which is a more upbeat poppier number and the closing rock ballad “Come September” which presses all the buttons for a dramatic closer.

All said and done Natalie treads the line between rock and pop perfectly and slides under the radar for the masses yet has a certain spark that makes her unique. “White Lillies Island” proves this by giving us a catchy album that has Natalie’s own unique genre mash up and some excellent pop songs.

Tori Amos Get’s Pic-tori-al!

Tori Amos was meant to be having a year off but obviously not as out of the blue a 480 page comic book entitled “Comic Book Tattoo” which takes around 50 of her songs and puts them in a visual comic styled book! Neil Gaiman will provide an intro and Tori will be giving an afterword. It’s released on 23/07/08 with both hardback and paperback editions and a ltd edition too although what’s in that edition is unknown.

Live Vault – Fiona Apple

This weeks Live Vault is a powerful angry performance by Fiona Apple with the fantastic “Not About Love” which lets Fiona belly shout it all the way! Sassy, sexy, angry and you wouldn’t want to hit it head on in an alleyway – here’s the magical performance (sadly not complete). When oh when will a new Apple album arrive?

Utada Hikaru – 1 Million Albums Shipped For “Heart Station”

Congrats to Utada Hikaru whom crossed the 1 million mark with her 5th album “Heart Station” which is quite a huge feat given today’s music industry state and the fact downloads are taking a larger part of the market now. She still needs to actually sell another 150,000 plus too pass the million sales but if she does it, it’ll be first album for over two years to do so. Also her blog states she’s in the recording studio again – is it for a Japanese or English audience we wonder?

Aoi Teshima – New Album Unveiled

Aoi Teshima, the vocalist whom rose to fame by taking the lead female role in Studio Ghibli film “Tales From Earthsea” has a new album coming out soon. Entitled “Niji no Kashu” there will be a limited edition with a DVD containing two music videos. The press statement said the album contains bossa nova tracks which could prove very interesting. Watch this space as we’ll review her début album in the near future.

Charlotte Martin – Congratulations

A hearty congratulations from Higher Plain Music to Charlotte Martin who has given birth to a baby boy named Ronen Joseph Andrews. At 8 pounds he’s looking a healthy boy and that’s what matters most. All the best Char Mar!

Cocteau Twins – “Garlands” Review

The Cocteau Twins burst onto the scene with their debut album “Garlands” way back in 1982. The 8 track record is both accurate and misguiding about what was to come. It features Elizabeth Fraser ‘s ethereal voice but the emphasis is just as much on the brooding guitars here than anything else. However what does definitely remain is the feeling of being somewhere not quite on Earth.

“Blood Bitch” opens the album with a brooding bass heavy number and introduces you to the various warbles and screams that Elizabeth can do without having much of heavy tune. “Wax and Wane” gives you more of a tune to follow but again, as we would soon learn, most of the songs are just as much about the general feeling as the tune itself. This is one of the songs that you can actually make out every single word in English – this being before the lyrics became a chant like self made language that the Cocteau Twins would use on later albums.

“But I’m Not” continues the darker tone of the album with some nice guitar work and an excellent ending sequence before “Blind Dumb Deaf” sounds more like the music they’d do later on with distorted guitar broken chords being repeated under Elizabeth’s soaring voice.

“Shallow then Halo” follows the formula the previous songs has to great effect and “The Hollow Men” has a very funky bass line to get shouting along to and has lots of high pitched guitar wails. Following that the title track “Garlands” is a bit surprising as it doesn’t stand out as a title track except for the chorus which is the most melodic part of the entire album. “Grail Overfloweth” closes the album with a more quieter track which after a whole album of non stop squealing guitar distortion is welcome. It doesn’t last too long before the guitars return but this is the creepiest song of the album and leaves you in awe with the beauty of the voice, but slightly uneasy too.

“Garlands” isn’t the strongest Cocteau Twins album and people wanting to get into them would do well to start elsewhere (Treasure perhaps?) as this isn’t entirely representative of their style nor is it the easiest to get into. There’s plenty here for you once you are liking them but I found I had a mental block on the album until I’d been broken in.

The Star Onions – Music From the Otherside of Vana’diel Review

The Star Onions are three of our old composers from the Square stable: Kumi Tanioka, Naoshi Mizuta & Tsuyoshi Sekito joined with Hidenori Iwasaki. Together they create a semi bizarre, semi surreal and semi electronic acoustic group: The Star Onions. Taking various tracks from Final Fantasy XI (which Tanioka and Mizuta helped compose) they have released an arranged album called “Music From The Other Side of Vana’diel.

“Vana’diel March” opens the CD with a short piano arrangement of the song. In a military step, the music is quite chirpy and to the point and its a very straightforward translation, with a nice transition to the prelude theme at the end of the piece.

“Metalworks” is really where you find the true guise of the albums material however. Taking various keyboard loops and a saxophone lead, the song lazily bounces through a careful arrangement that reminds me of menu screens in arcade games where you type in your name for the score sheets on say “G1 Jockey” or something. Quite different to what I was expecting but fun nevertheless however the arrangement is a little too long. “Rolanberry Fields” actually sounds more electronic than the original. Having loved how acoustic the original soundtrack of Final Fantasy XI sounded it took me a little while to get to grips with this arrangment but its very much an alternative mix. Take out flutes, and pop a saxophone in – a bit like how a Genso Suikoden arrangement sounds! Far from bad at all, its another leisurely plod through The Star Onions world.

“Kahzam” finally gets things off to a roar with an up-tempo electronic guitar lead of the original feisty number. It really suits the arrangement well and the song is given a slightly Loveboat/Latino flavour which sounds better than it reads on paper. Definitely a favourite of the album.

“The Forgotten City – Tavazian Safehold” is a beautiful piano rendition which is full of empathy and beautiful sorrow, taking its time to let the atmosphere drip. “Mog House” however is a peaceful trip-hop acoustic number which is both playful and relaxing – a strange combo but its quite true. “The Sanctuary of Zi’Tah” continues to add the grooves in with a jazzy groove with some of the funkiest jazz guitar I’ve heard in a Final Fantasy game. The song almost sounds like a slowed down sonic song!

“Awakening” is the oddball in the album – the sole dark tune. Without warning your swapped in atmospheric percussion before a techno beat kicks in and synthesised orchestrations are pumping away at high speed. The song itself is fantastic but it feels so very out of place. However its nice to see diversity in an album too so The Star Onions don’t lose any points on including this fantastic song.

“Selbina” is the only song I’ve not really gotten to enjoy over time. It’s just a bit too 1988 cheesey jazz for me. It’s inoffensive but it just hasn’t quite sat right for me yet.

However the gem in the crown was saved for last. “Blessed in Her Glorious Light – The Grand Duchy of Jeuno” is a stunning Gospel number. Aundrea Hopkins has an amazing vocal talent and the song carefully builds up and up and up into a storming uplifting finale that really gets this reviewer going. A gospel choir giving it all they’ve got while drums breakdown and an organ screeches out at full volume pulled my heart strings that when I first heard it I replayed the song several times. Stunning.

The Star Onions may not appeal to everyone. Their genre is limited and their sound for many of the band songs really takes a bit of getting used to – its neither synthesised nor real and its a bit jarring at first. However once your passed that you have some excellent songs that you can really get your teeth into and I can’t get enough of that final track. *replays*

Kate Bush – The Kick Inside Review

30 Years on and it still feels fresh, relevant and imaginative, Kate Bush’s début “The Kick Inside” is a CD that doesn’t fade with time.

From the opening wails of the bitter-sweet “Moving”, Bush’s quirky expressive voice soars and dips around like a sunrise to a sunset in one song. “The Saxophone Song” only compounds this where a no gimmicks song really works at its best with swirling pianos, acoustic guitars and gentle guitar wailing. Both songs were single material.

“Strange Phenomena” juxtaposes a stadium chorus and a quirky verse and this again sets up for what would end up being Kate’s charming musical talent, adding little pieces of the unusual to spice up songs. “Kite” may go a bit too far but back in the 1970′s over joyous songs were not frowned upon like today!

“The Man With The Child In His Eyes” however is the first real eye opener (excuse the pun) to show Kate’s depth however. Very rarely can you get such opposites in an artist (near pop and alternative depth) and squeeze it in just two and half minutes. An early gem which is followed by “Wurthering Heights” which I think is a bit of a misrepresentation of Kate as a whole, but a relatively good sound byte of the album.

“James and the Cold Gun” which follows was actually going to be the lead single until Kate asked it to be changed. This song is great too but doesn’t hold the novelty value of Heights with its rocking guitars. “Feel It” is just Kate and piano singing about being naughty with some interesting chord changes.

“Oh To Be In Love” rivals Heights as the novelty song with a fantastically catchy chorus and this was also released as a single. “L’Amour Looks Something Like You” however is the song I seem to forget from this album. All the other songs seem to cover what this song does and so it’s left behind for me. Its not bad at all, just forgotten.

The final trio starts with the would-be number 1 “Them Heavy People” with its upbeat verse and chorus and catchy bridges. Why this didn’t do better than it did is beyond me. “Room For the Life” sings about getting pregnant which would probably be banned in this day and age but features different percussive beats for the chorus. The album closes with the magical “The Kick Inside” with Kate singing like a pro with a toe curling story and an achingly beautiful melody.

Well 30 years haven’t dampened my spirit for the album so if you’ve delayed getting it – delay no more! Kate needs you, and perhaps she may knock out another album yet.

Live Vault – Bat For Lashes

This weeks Live Vault comes from the excellent Bat For Lashes with a non album song I’d not heard until I found this clip. Performed live on the Culture Show on the BBC, “Moon and Moon” is the only non-album track that I have found from this magical lady.

Making a change, its great to see someone really give a fantastic performance on a TV show, where I have seen many of my favourite artists give some poor performances! Here is “Moon and Moon”

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