Archive for November, 2008

Chris Hulsbeck – Symphonic Shades Concert Gets Release

Chris Hulsbeck finally has a release date for his Symphonic Shades concert. With a 70 minute running time, it will be released on the 11th of December and its the recording of the concert performed in Cologne, Germany  in August this year.

Video Vault – Tanya Donelly

We’ve been giving ourselves extra helpings of Tanya Donelly lately and that’s just fine with us. We love the b-movie styled video for “The Bright Light” which you can see here. I think its time Tanya was able to make another music video surely?

Live Vault – Sarah McLachlan & Pink

Fresh from this years AMA awards, here’s an unlikely duet that I think is quite ingenious! Sarah Mclachlan’s best known song Angels gets a revamp as she duets it live with pop rock queen Pink. See the excellent performance here. Not two people you’d immediately think would work so well together so we commend them both!

Acclaim’s Ravin’ X-Mas Review

For a festive release, Acclaim take some of their better known games and remix various tracks from them to give a Christmas vibe. The clue is in the title of the album “Acclaims Ravin’ X-mas” as to what the remixes turn out as!

“Intro” is actually a completely new track integrating piano, sleigh bells and keyboards to make a pleasant and catchy song that I was surprised to have myself put it on repeat! The breakdown of this song is particular beautiful.

That’s where most of the calmness ends however has the album descends into early 1990′s dance music. Think Snap, think Nightcrawlers, think 2 Unlimited. Nice for nostalgia but it has dated painfully!

“Fantastic Four Remix” is first up with some nice jazzy keyboard-piano work and the beat of the song stays very much in the background. As with most of the album, they get the Christmas push in my adding sleigh bells as percussion… very clever indeed Acclaim…

“Turok (Rakozor Remix)” is a little heavier, edging more towards a bass fused break beat number with very little in the way of tune. It seems that adding dinosaur sound clippings from the game is how you can roll out a new song! “Extreme-G (No-Limit Remix)” is another song that relies too much on a bass line and leaves out a tune. Sadly it all gets very repetitive if you cant really work out what songs from what game unless you pick out speech extracts from the songs.

“Turok (Technosaur Radio Edit)” thankfully has a tune to it at last. Its a bit like a paranoid tribal dance/club hybrid which works fairly well and finally gives some merit to the remixes at last! “Extreme-G (Sequence G)” ups the tempo with a high speed remix that will have you nodding your head for a little while too.

“Constructor (Remix)” is made by the great character sound clips of game being fused into what is a pretty standard dance tune that you’d hear all the time by bedroom DJ’s but “Extreme G (Highway 1999 Remix)” fails to really get going with a grizzly but repetitive bass line taking the stage and boring you after the first minute. “Alien Trilogy (Kai Tracid Remix)” is better however and actually have some musical merit to it during it 6 minute assault.

The next two songs are from Turok again. “Tryanosaur Edit” is uninspired despite a nice beginning with some congas and sound effects while “Deep Jungle Mix” is unsurprisingly jungle music that fails to catch you although at least the drum loops change at regular intervals…

Fantastic Four (Fantastic Flares)” is much like the previous Fantastic Four remix which thankfully scrapes respectability but daring to have more than a bass and drum line but is sadly over after two and a half minutes before the final song “Alien Trilogy Mindbomb Remix” which shocks everyone by having decent vocal singing and being refreshingly different showing that after all Acclaim really could have made a half decent album but chose awful and monotonous remixes instead.

In the final song, if you ever get that far, it asks “Why do you run away so fast?” Maybe its because putting sleigh bells on a couple of remixes of dull bass lines and quickly shoving in sound effects from various games does not make nice music for the ears. I’d be pushing myself to say that more than four of these songs are worth repeated listens and I think that says it all.

Video Vault – Lamb

This weeks Video Vault is from Lamb with their excellent video for single B-Line. Not only is the song absolutely fantastic but never before have I been so scared by a huge balloon! Get prepared and then watch it here and enjoy!

Live Vault – Fiona Apple

Fiona Apple is our artist in the Live Vault position this week with an energetic performance of “Not About Love”. We love the growls! Enjoy the video here (but boo @ singers at a concert…)

Sarah Slean – The Baroness Redecorates out 9th December

Sarah Slean had said she cut many songs off The Baroness when she released it, now they appear to gave resurfaced with “The Baroness Redecorates”. Possibly the best b-sides album title in years, this seems to bring alive some of these songs although a song entitled “My Song” is still MIA. The seven tracks are either new or recorded with a string quartet and will be released on 9th December.

Tracklist as follows:

1. Parasol
2. Lonely Side of the Moon
3. Modern Man I & II
4. Compatriots
5. The Rose
6. Hear Me Out
7. The “Disarm” Suite

Live Vault – Tanya Donelly

This weeks Live Vault comes from talented Tanya Donelly and a performance of a song from her first solo album. The song is Latern. It’s great to see someone actually smiling and really having fantastic fun on stage so its a pleasure to spread the word. The runner of HPM used Tanya’s song The Bright Light for a stage performance once but the less said about that the better…

Video Vault – Billie Myers

This weeks video vault comes from Billie Myers. Tell Me was her second single from her début album Growing, Pains and in our view was her best song from that album. Of course, coming out with Tell Me after the pop rock love that was Kiss the Rain, this was never going to be as massive a success but it didn’t stop Billie shooting a fantastic video! It was quite provocative for its time too. Also to note – we think Josh Holloway (Sawyer from Lost) is one of the various eye candy men on screen. So take a look and see for yourself!

Whispers of the Plains #2 – Lou Cowell

#2 in our interview section comes from rising star Lou Cowell. Just one read of this interview and I’m reaching for my baked beans and going care free! So here it is, ten questions with Lou Cowell:

So now that “I… Um…” is out to the world, how do you feel about the finished album?

I feel oddly detached from it actually. It’s a diary that is lovingly dog-eared, doodled in, cried over and cherished for the future wistful smiles and hindsight-fuelled belly laughs it will no doubt bring when fished from its dusty drawer in years to come, and poured over by both me and my kids.

And how about all the critical acclaim you’ve received? Does it matter much to you?

It matters to me that the songs reach those who need them, when they need them. For so many years I have felt a large pool of fraudulence residing, swamp-like, in the pit of my stomach (which could of course be IBS), but sometimes, when I sit down at the piano, with itchy fingers, rather than feet; it is as though the songs have been writing themselves while I’ve been blissfully unaware. As I’ve trundled supermarket aisles, laughed with friends, munched my beans on toast with Eastenders for company; lyrics and melodies, have been formulating inside me, letter by letter, note by note, until they are ready. Cue the itchy fingers: like a vigorously shaken coke can; the thought bubbles want out! And so it comes to be that I am in front of the keys, giving them a voice. The fraudulence stems from the fact that, by the time my scratchy vocal relieves those itchy fingers, it’s as though the best part of the work is already done. I am literally just an instrument. I mentioned this feeling to my Mum a while ago, the guilt that I felt for receiving praise for songs that seemed to be written, for the most part, by the time they reached me. ‘Ah, but it’s you they chose to capture them’, she said. The best I can do is honour them; to be home when they come calling. To pass on their whisperings to those they whisper for.

How was it to hear “A Good Day” covered in French?

Very odd. Initially, I felt physically violated! GSCE French pricked at my ears with soupçons of ‘trousers’ and tickets’ (‘Un billet s’il vous plait?’) – neither of which I remember alluding to myself, in ‘A Good Day’. It was though, deeply flattering to hear the little nuances in the vocal; neither note nor lyric, but more little character traits of mine, which had been meticulously recreated by my French counterpart.

Emmanuelle Moire’s had mass success with his cover of “A Good Day”. Do you think it’s a reflection on the UK’s much more narrow-minded music industry exec’s that the same song may not be given as good a chance here?

You make your own chances. If ‘A Good Day’ has the will, it will find a way. A good song will always get through. Yes, of course, it would be amazing for some Music Industry mogul to come and shower me with the riches to ‘soapbox’ ‘A Good Day’, to market and promote my songs to the world, but faith is a pretty undeterable force too.

Do you have any special songs of yours that you have a soft spot for?

That’s like asking a mother which of her children is her favourite! My songs have all come from places inside me that I was too scared/sad/elated to look at, or be faced by, without the protection of a musical mask. They are the ‘raw’ bits. The bits that can’t be madeup, concealed by a flatteringly long cardi or ‘perked up’ by a couple of chicken fillets! They are parts of who I am, and who I am is a result of everything and everyone I have known thus far. They are my memories, my photographs, for better or for worse; they have made my today possible, so I love them all dearly.

If you were to describe yourself as an artist for a new listener, how would you do so?

With the use of Blue Peter-style finger painting, definitely.

You grew up around a wildlife sanctuary. Tell us more about that.

What’s to tell? Doesn’t everyone grow up with a nest of hoglets in their bedroom airing cupboard? A pesky barn owl perched on their living room door, eyeing their fish fingers with beady-eyed intent? A family of fledgling robins in a camping stove on the kitchen dresser?
Apparently not. But I only realised this some years later. My sister and I were pretty much left to our own devises when we got home from school. Dad worked long hours in the city, and Mum was run ragged administering maggots, goat’s milk and meal worms to anyone who gaped. You pretty much learned to shut your mouth pronto after you’d spoken in our house, just in case.
I have been brought up around animals, and struggle, at the best of times, to differentiate them from people. Their empathy, unconditional honestly and support can be overwhelming. Animals are some of the best people I know.

Would you prefer to live out in the sticks or in the city?

I plan to be Barbara from ‘The Good Life’ just as soon as I have achieved record sales enough to afford me a packet of seeds for each and every major vegetable group. I will also need a ‘Tom’, a few token chickens, (a grand piano, a fully equipped gym and a lifetime supply of Marlboro Lights). All donations gratefully received.

Are there any more instruments you’d be interested to learn?

Have you seen me live? I never ‘learnt’ the piano! Can’t you tell?! I think there is music in everything. The world is, after all, made up of vibration. Everything that we are is made up of billions of vibrating particles. When you speak of ‘getting a good “vibe” from someone’, is this you subliminally picking up that your and their frequency are in harmony? Are those that you ‘clash with’ the F# to your F? We speak in different tones depending on our levels of excitement or passion; this is a melody of sorts. We drum our fingers when we’re impatient, we scream when we’re frustrated or angry. The primal scream. Music.
If you have something to express, the instrument will present itself… that said, I reckon I’d be a pretty fucking awesome drummer.

What are you plans for 2009?

Pretty much the same as my plans for the rest of 2008: Go to the gym, eat chocolate, pick up a Grammy, be true to myself, cuddle people that need a cuddle (or be accepting of one when I need it), eagerly anticipate the day that someone asks me for my autograph in Tesco when I’m with someone I want to impress (then act all modest and embarrassed when it happens), buy Topshop, walk the dogs, trust my instinct.

And what would you like to do for the weekend?

Give it my undivided attention.

Charlotte Martin – Orphans Review

Charlotte Martin rounds off 2008 with a release of old offcuts from the cutting floor. Songs that didn’t make her previous records have clubbed together to form “Orphans”, an 8 track EP showcasing that even cast aways from great artists shouldn’t be ignored.

Opening with  “Is This Called Desire”, a song that despite being relatively relaxed always has an undercurrent of fight and flight about it, its clear that these aren’t just quick rehashes. The song also reminds me very much of Bjork’s Vespertine which is certainly no bad thing. “Galaxies” is certainly no throw away and quickly establishes as a favourite and a song that manages to completely encompass Charlotte’s musical styles in one song. We love the latest electronics but we also love piano and electronics together! “Habit” recoils back to just piano and vocal in a heartfelt and spacious song where taking her time to express each line, every note is worth so much more – it’s almost like a live performance. Beautiful.
“Outerspace” is funky! The keyboards sound like the theremin used in b-movies about aliens. It’s fast paced, full of percussion, has an uplifting chorus and is one of those songs you can lose yourself in. Juxtaposed with the purity of “Snowflakes”, the two songs really shine off each other. The latter song has a gorgeous flowing piano hook.

The final trio are interesting inclusions. “The Stalker Song” finally gives a full release of the “I’m Normal Please date Me” lyrics which is on a lot of Charlotte’s merchandise. The song has a humour and tongue in cheek arrangement which suits it so well. We then have “Raven” which is an old master of the song that found itself on “Test Drive Songs”. Cutting out the piano intro, electronic ending and including guitar and minimal percussion, it’s funny to hear the original after these years. It has a slightly different vibe to it, still just as  sinister, but different. Finally rounding of the Test Drive era is a “Many Rivers (2005)” which takes away all the trimmings and has just Charlotte and the piano which is a nice way to end.

This is the second helping of b-sides from Charlotte Martin and once again we’re left wondering why these weren’t out long ago! However once you’ve finished listening you’re just glad you’ve heard them now and they’ll quickly become just as treasured as the rest of her collection.

Ladytron – Velocifero Review

And so Ladytron stomped their way back onto the scene in 2008 with their latest album “Velocifero”, their most cohesive and compelling album to date. The glamour electronic rock synth band have yet to miss the mark with their music and this effort is no exception.

“Black Cat” opens the album like a techno Space Odyssey with grizzly bass lines and rocking drum beats. In what is an almost instrumental opening track, the vocals are foreign and barely noticeable until everything else fades off.

“Ghosts” then takes up the baton in my favourite song from the album. It’s like taking a road trip with a rock group and a disco ball. There’s something specifically retro about this song, maybe its the whammy bass chords. The excellent chorus is something to chant along to and it shows off all of Ladytron’s strengths in one magical hit.

“I’m Not Scared” is a great fast paced song that is slightly discordant and with it, the song has a certain edge to it that makes it also very special, especially the verses. Its just got such a hook to it, it will stay in your head. Also working discord and minor chords to great effect is “Runaway”, a slightly slower down tempo disco shuffler with a funky choice of chords.

“Seasons of Illusion” too works the same magic with the signatory robotic style vocal which drives this song forward along with some lovely backing vocals and keyboard flourishes while “Burning Up” sounds like a bitter Soft Cell song taken from one of their lesser known albums with a great climactic ending.

“Kletva” signals the half way point with a short foreign track using various organ sounds and tapping percussion which while is different, didn’t work for me as it sounds like a weird Christmas song and the second half is much better than the first. It’s quickly followed by the disco-rock-tastic “They Gave You a Heart, They Gave You a Name” which is perfect Ladytron with some Sassy singing.

“Predict the Day” has some heavily produced drum and a nice whistle tune in the background in what’s a more spacious song compared to the rest which really bleed and drown the sound through the speakers. “The Lovers” is the second short track which starts as a beautiful album piece flying from speaker to speaker before the band comes in with a short and simple track which is still pulling the punches. “Deep Blue” has sultry deep low vocals and falls definitely on the disco party side of Ladytron. Not that you’ll see people dancing to it in nightclubs, but its just to good not to wiggle to.

“Tomorrow” starts the last hurrah with a more spacey keyboard driven track almost a bit like early Depeche Mode, all instruments pressed hard against the speakers for extra effect. This song is particularly catchy and a standout for being just a simply good song with no massive gimmick. The closer is “Verses”, the longest song on the album and also one that lets the males take the vocals. Its an interesting song because even with a male voice, the pure excellence of the group as a whole shines undiminished.

“Velocifero” is a success. While the overall sound is samey throughout and some may say its overproduced to sound under produced I enjoyed it immensely. Some of Ladytron’s most simplistic songs are here but they are catchy, fun and upbeatly miserable. You can’t argue with that!

Unto Ashes – New Album Soon

Unto Ashes have their latest album in the mastering stage. Album number six entitled “The Blood of My Lady” went into mastering in August this year and so hopefully should be ready for an early 2009 release. With each album their production gets better and better so we’re hoping for big things this time round.

Lou Cowell – “I…Um…” Review

Lou Cowell shares a certain pop masters surname but that’s about all they do share in common. There’s no cheese, no pop – just a soulful singer, a piano and an atmosphere that you can cut with a knife.

“Still Around” opens with sparse piano and a cute yet self confidently fragile voice of Lou’s. Reminding me vaguely of Tanya Donelly with a slight Country twang – set against a progressively unveiling piano backdrop – this song really captivates and draws you in. Sometimes less is more and this definitely is the case here.

“A Good Day” brings in the country vibe but in an adult context. The slightly downbeat chord structures juxtapose the whimsical music and really suit each other well. It’s about time we had some alternative country! Paired with “Hold Down the Sun”, a slower ballad, they inject a downbeat optimism and warm despite not really being up-tempo numbers. “Just Like Me” is more jazzy and upbeat in sound with some unusual lyrics.

“Obvious” is back to the ivories with a nice rising chorus amongst downtrodden verses and works very well. “Lonely Little Hurricane” has a cute whistle over melancholy piano and mouth organs but nothing is as cute as the woodwind introduction to “Nobody’s Rhyme”! Quickly it ends and Lou’s vocal talents whisper through one of the stand out tracks of the album. Mirroring the childlike lyrics, the song is like a fairytale turned eighteen years old and ready to go out.

“I Believe” is a simplistic ballad with a touch of jazz in the background adding a nice flow to it which suffers from sitting between two of the three best songs on the album. “Could We Just Kiss” is again simplistic but has such a presence and atmosphere like a smoky 1950′s bar with Lou as the siren at the mic. I’m not usually a fan of this type of music so you know its done well if it wins a non fan over.

“Winter” closes the album with a soft slow song with a piano so warm sounding you could snuggle into it. The jazz instruments really work well here and suit the mood. There is also a hidden track floating around for the hunters.

Lou Cowell is talented. Her music plays it safe enough to catch the mainstream yet her voice and choice in instrumentation at times shows you that she is an individual that can definitely hold her own space in a crowded genre. If there was a problem with the album, it would be that the tempo of the album as a whole rarely changes. However it is a minor setback. I’m not usually a fan of brass instruments and the fact I sat merrily listening to this album is a testament to Lou that she definitely has a cracking album in “I…Um…”

Tokyo Ska Paradise Orchestra – Tondemo Crisis (Incredible Crisis) OST Review

“Tondemo Crisis!” was known in the western world as “Incredible Crisis!” and the game featured a well known band in Japan called the Tokyo Ska Paradise Orchestra who play on the entire soundtrack for the game and lend their expertise to what is one of the funkiest and light-hearted fun soundtracks I’ve come across. It’s not often a band is willing to give their all to a game soundtrack but maybe some more should do – the quality here is exemplary.

The soundtrack opens with “Tondemo Crisis! Theme #1″ which defines the sound for the album. It’s traditional jazz/ska sound with many layers of brass instruments, funky basslines and bouncey beats bring your speakers to life. There are no vocals during the soundtrack at all but this track does have some vocal scatting and beatboxing going on. It’s fast paced fun sets you up for what’s to come.

“Grand Opening ~Also Sprach Zarathstra~” is the famous orchestral build up that I never knew the name of until now – I always remember Elvis using it for some reason! “Family Gathered Round the Table” is a more laid back ska version of the reoccuring secondary theme which is short but great.

“Taneo Dance Fever” then gives us a lesson in tempo. A jazzy start to this two minute piece suddenly breaks out into a 1970′s cop chase style sleazy swinging booty shaking madness. It’s percussive stampedes are great and the brass build ups are superb – all very 1970′s flair disco pop! “Bowling Inferno” follows a more panic stricken arrpegio feel with a keyboard going mental in the distant background. “Oh, I feel Dizzy” takes things a step further by adding stabbing piano chords into the mix and some lovely deep saxaphone riffs making a great climax.

“Paramedics, The A Team” is a short and fairly linear piece actually, with no real progression – like a stop gap to breath before the next song. “Live, Fireworks, A Tsubo Massager & a Ferris Wheel” wins the prize for most random title! Although if you play the game, this song accompanies one of the most perverted mini games I’ve ever played on a PlayStation!!! The song itself sounds like it was stolen from Theme Park which is no bad thing.

“Independance Bay” is very cinematic and very close to the opening theme, the brass again here really has great skill in making the themes stand out like a b-movie soundtrack. “And Now the Titanic…~Ska Horse~” is another great number in a similar vein. “Runaway Commutre Express Train” is a short stop gap track again before “One Afternoon of the Wolves” sounds like a paraody of Metal Gear Solid’s sneeking theme with just a funky guitar and a triangle.

The next track “Throwing on Weights” is a magnificent track with a Spanish Latin flavour percussion and brass riffs. Its one of only a few tracks that’s over 3 minutes long and this one deserves to be, its very catchy and much like a showdown event from a cowboy film! “Snowboarding With Wolves” continues the same pace and but more electronically influenced. “Top Ganmodoki” is much more jazzier with a touch of disco funk thrown in for good measure.

A shorter version of the main theme on an electric guitar instead of brass instruments is then followed by a short but sweet “Tsuyoshi’s Theme” which again lends itself to something like Theme Park or Mitsuda’s “Hako No Niwa”. “Ant Lion Hell” is completely different from the rest of the soundtrack as its got a different set of drums and is mainly a marimba that plays with a keyboard and not a lot else. It certainly stands out as a nice twist to what’s very much a brass related soundtrack.

“Kiss of the Spiderman” is another song sounding like it belongs on Theme Park for say the Merry-Go-Round. It’s because it uses the fun light organ that you hear from the ice-cream vans and theme parks around the globe! “Followship of the Ant & Tsuyoshi” is the only ballad style song in the entire soundtrack, a breezy light short piano piece.

“Ririka’s Theme” returns to the Ska roots of the soundtrack although it is much more plugged with this track, with great hooks and an almost hawaiian sound to the electric guitars in play. “The Tense Teacher of Class 2-B” is very much a paraody of the song “Kung-Fu Fighting” – its the same chords and rounded off with some random “Hiii-yaa”‘s if you please. Great light hearted fun!

“De Crane, De Crane” is the only song with breakbeat percussion in and is the longest song just shot of four minutes. It swirls around fast paced and changing it’s instrumentation and building the tension as it goes – weaving in many themes as it goes. The soundtrack then finishes off with a slower jazz organ version of the second track and a reprise of the main theme again this time using a keyboard to play the lead voice.

Tondemo Crisis! OST is a fantastically well balanced soundtrack. It has fun and tension often mixed together and has a very high standard of musicians playing. Almost every single track has a catchy hook or a beat that you can rock about to and each track is a joy to listen to. I’m not a general ska fan however this soundtrkac leapt out to me and I really do recommend it to anyone. Top notch music! (Top notch game too if you can find it on the PS1)

Masaya Matsuura – PJ & Parappa I Scream Review

Parappa The Rapper is already established as an icon for the rhythm action genre of the gaming industry. It was this game that really woke the world outside Japan to rhythm action games. Parappa and the sequels “Um Jammer Lammy” band “Milkcan” team up for a completely new album, well 6 tracks at least. Before I go any further, I must tell you a few things about the album.

Firstly, “I Scream” is hip-hop music and if that doesn’t appeal to you (as it does not to me), then you may be at a disadvantage. The same can also be said if you don’t like rhythm games either(or cheesy lyrics – or silly sounds – or…).

Secondly, the album takes some of the main songs from Um Jammer Lammy and then rearranges them for Parappa The Rapper – which is cheating in a sense, but at least if you’ve played the game it’ll be warmly familiar to you and with just enough of a twist to give it a little freshness.

Thirdly, the whole album is full of childish moral banter, using the “cool” Parappa to give the listeners (aimed at the Secondary school range) messages such as “don’t do drugs”. You can either scoff at the attempts, or appreciate what has been done. Also, the lyrics, if you have an adult mind, can prove rather humorous too. Bearing that in mind, read on.

The album opener is called “All We Need Is Music”, which is supposedly sung by Katy Kat, with the main rapping by Parappa. Immediately, you’ll be greeted with happy, funk guitar riffs, and you’ll notice exactly what I said about the lyrics, especially the closing line “Keep my head high, never do drugs, never tell lies and check to make sure I zipped up my fly!” The song is catchy and harmless and sets the scene for the rest to come.

“The New Plan” starts off badly, plugging the PlayStation, but once it gets going, the catchy song manages to grab you by the shoulders and shakes you around, despite Parappa’s poor singing. If you’re into the song, you won’t notice, but if you’re not into the songs at all, it will grate.

“Life Is Like A Sky” is my personal favourite. Its extremely catchy, has some of the best lines, and the best “singing” that Parappa does on the album. “Chop! Chop!” could have been a perfect song along with “Life Is Like A Sky”, but for a bizarre beat problem in the chorus, which tries to spoil everything the song builds up as much as possible. It’s jarring at first however several years and many listens later it isn’t so bad.

“Why?” is either the worst or the best song on the album, depending on the stance you stand from. It’s a dreadful song, that’s almost laughable. Parappa does his best to sing out of tune too. What makes it so good though, is the lyrics. The song asks lots of questions, but as soon as it stops rhyming, it says something that innocently questions the ways of the world in a simple and very effective manner. You’d only wish that Parappa could sing though! “No Cuttin’ Corners!” is the closing track, which is much like the opening track. Its extremely happy and gives every moral under the sun and rounds off the album nicely.

“I Scream” is extremely hard to rate. You’ll love it, hate it, or appreciate what has tried to do but steer clear none-the-less. Fans of the series should snap it up straight away but everyone else should proceed with extreme caution.

Live Vault – Youmi Kimura

Youmi Kimura is the beautiful singer/songwriter, best known for “Always With Me”, the closing credits song for Anime “Spirited Away”. Here is a beautiful live performance of the song which she originally submitted for “Princess Mononoke” and was rejected and kept aside for this piece. Her albums are wonderful too.

Video Vault – Garbage

This week’s music video comes from Garbage and back in 1999 with their single “Special”. Looks like she’s been playing Ace Combat a bit and she looks like a real mean pilot! Enjoy the video!

Top 10 Most Viewed Artists For October

A new stats fest at the start of each month begins as we give you the top 10 artists viewed at HPM. Of course it will change with their releases but its always very interesting:

01) Emiliana Torrini

02) Akira Yamaoka

03) Yasunori Mitsuda

04) Joe Hisaishi

05) Utada Hikaru

06) Pierre Esteve & Stephane Picq

07) Hiroki Kikuta

08) Sarah Slean

09) Lisa Gerrard

10) Hitoshi Sakimoto

So an interesting spread of artists this month!

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