Archive for January 26, 2009

Wojciech Golczewski – Linger In The Shadows OST Review

A man in desperate need of an easier name to spell, Golczewski has been scoring soundtracks for a while but recently popped up on the PlayStation Network with a free soundtrack from the game Linger in the Shadows, a kind of graphical demo that you control.

“Main Theme” is the bulk of this three track collection. It is a seven minute piece that begins ethereally and carefully meanders without really taking over. It sounds like an Enya song without the songstress herself singing. Otherworldly. This then suddenly breaks into a tense string section where you are anything but settled. The chords are dramatic and so is the playing.
The juxtaposition is great and the way how the two form into each other is clever. Then suddenly it changes pace for a climactic finale section. All this in one song? Oh yes!

“Menu” is a short but intelligent piece with two string pieces shifting in volume to make you take more of one or the other in at one time as it builds. “Credits” rounds off with an eerie piano led track that sounds more like a death screen piece more than anything else.

This soundtrack is for free. It is defiantly worth the download time if just for the Main Theme alone. There is a taste of heavy weight across these three pieces and it really sets a mood. It’s a great mini soundtrack and HPM recommends it heartily.

Nobuo Uematsu – Final Fantasy Symphonic Suite Review

Final Fantasy Symphonic Suite is a fully orchestrated album, showcasing songs from Final Fantasy I-III. Epic is the name of the game here, as everything gets for the first time, an arranged album! For an arranged album from 1989, it hasnt dated a day and stands up strong today. The tracks were arranged by Katsuhisa Hattori and Takayuki Hattori and the album was performed by the Tokyo Symphony Orchestra.

Scene I (FFII’s main theme) features a choir and a string arrangement powerfully pounding out the main tune, with a little help from some brass and percussion arrangements. It is a beautiful rendition and an excellent opener as it’s very familiar.

Scene II (FFII’s Battle Scene 2) has a very strange drumbeat to accompany the song, which aside from that is a very accomplished piece, with as much drama as you can handle. The drumbeat doesn’t really detract from the song; it just seems a little out of place although over time I have gotten used to its quirk.

Scene III is a medley of FFI’s Opening, the town theme and Matoya’s cave! Each segment is excellently transposed. The Opening part’s majestic ways must have been what earned it such high occult to be included somewhere in every Final Fantasy! The town theme is much more quieter, effortlessly rolling into Matoya’s Cave which is where the choir join the string and brass instruments for what is a very relaxing piece before building up for a crescendo of the opening theme again. Fantastic stuff!

Scene IV (FFII’s Finale) starts off with a picturesque harp and xylophone piece that grabs your heart. Then a heart wrenching string piece is played, almost like a royal anthem. From here it gradually adds layers of instrumentation to a big finale! This is classic Final Fantasy music.

Scene V (FFI and II’s Preludes) showcases various instruments for a military induced fun tune, that instead of being majestic is more happy and outgoing. Soon this stops and the traditional Prelude begins, complete with a harp. It is very cutely done. Wind instruments add a vocalised tune over the top and it forms a delicate song, which shines amongst so many big battle tracks.

Scene VI (FF1′s Kuluku’s Volcano) is a playful song, with pizzicato strings making the tune at the beginning sound like a clumsy, happy one. Soon other instruments enter the fray and it turns a little more mystical and dangerous and the pace quickens and it turns into a dramatic piece.

The final piece, Scene VII (FF1′s Main Theme) rounds off the album in typical style, with a majestically big piece, almost like a swan song. Everyone gets in on the act, and a full orchestra and choir pound out the ending to an ovation at the ending!

After listening to a blinding CD and clapping along with the crowd at the end, you’ll find this CD treasured as one of your favourites, especially if you’re a fan of the older games melodies. Technically accomplished and on scale that was rarely done at the time of making, buy this piece of history and you wont be disappointed.

Nobuo Uematsu – “Final Fantasy Mix” Review

F.F. Mix is a bizarre CD, full of unreleased material and some remixes of the classic FF songs. Great debate lies in the integrity of the remixes as the opinion is very divided. I will warn in advance you will either grow to love them or hate them and never play them again! However those of you not put off with that task may find solace in the unreleased material here.

Opening the CD is “Tina” which has been remixed by Snow Productions. Now it’s a house remix, and you would have no idea it was actually Tina for the first 2 minutes, before you actually hear the tune. To be honest, the song sounds a little dated and too repetitive and the Tina parts sound tacked on, but its still worth a listen to hear what they’ve done.

“Friends Beats” is a Dear Friends remix, in a hip-hop way. This song is much better and actually incorporates the song a little more, but although its merry enough to plod along, it just doesn’t cut it as a great song. It’s a shame as now Square Dance is around; we can get better dance songs! “Main Theme From Final Fantasy IV” is another remix and sounds very dated and very wrong. A Reggae beat splattered over the top of the OSV version does not make a good song. No ifs or buts. These remixes are all inferior to the excellent works we can get at OverClocked Remix – they simply have not aged well at all. Still, now we have those out of they, along comes sound synth arranged versions of the older songs.

“Prologue” is a fully arranged version of Final Fantasy, which is nice, but compared to say FFVI it just doesn’t cut it as well at would have done 8 or 9 years ago. The tunes still great, but it’s not as impressive. “Theme Of Love” suffers the same problem, but as it’s a one off song it cannot be overlooked as much. It’s a much clearer and better version than the OSV and congratulations must go to Uematsu for breathing new life into a well-used song. Maybe this was the ground workings for the ensemble release on the piano collections!

“The Origin” is an unreleased track and although it really does nothing new the tune meanders decently enough but it  will only appeal to die-hard fans. I am one of those, and I was not immediately impressed with this song. “Restless Moments” on the other hand is a true synth song and is welcome entry here. Full of panic, it struts its stuff well. “Sea of Silence” is a sombre song but really does nothing new again. It’s nice, but not enough to stand out for you to buy the CD.

“Matoya” on the other hand is a remix version done well. Using new drum technology and new synths it brings the original into a new world and depth and shows that this album could have been so very much more if others were done like this… “Mount Of The Sky” is a quirky track and one that gives a great character and I have no idea why it wasn’t released or used before.

“Opening Idea Version 2″ is a nice little track and its nice to see what other music could have been put to certain pieces of games. The same can be said for “Flying Ship Version 2″. Both are good songs and are worthy of being released.

“Mambo de Chocobo” gives us one of the best arrangements of the Chocobo theme, complete with real instrumentation. You’ll want tequila when the songs finished. It’s a classy number indeed.

“The Prelude Crystal Remix” sounds like a redundant early 1990′s Madonna song, and although it’s not dreadful by any means, it’s definitely an acquired taste just like the final track – “Final Fantasy Megamix” which is a fun way to finish off the album, if not entirely successful. It is very interesting to see what they’ve done, and how it could have been better, but that doesn’t constitute making it either a good CD, or one worth paying out for.

F.F. Mix is one of those for hardcore fans. Essentially, this is a bungled mix of wannabe tracks. Some are great, but those are tarnished by the lacklustre pieces surrounding them. This is not a worthy buy unless you see it in a bargain sale. Sorry Nobuo! (HPM loves almost everything else you’ve done!)

Play! Symphony DVD’s Finally Shipping

There’s been a lot of problems with the release date of PLAY! A Video Game Symphony and a lot of complaints have been made. I received confirmation that my copy had shipped today so I don’t see many people having to wait for much longer. A full review will arrive when it arrives here.

Video Vault – Imogen Heap

While we all wait for her follow up to Speak For Yourself, take a trip back to a little known music video for Imogen Heap & GMT’s “Meantime” which is a fantastic song that was done during the iMegaphone days.

Live Vault – Qntal

Qntal are this weeks live vault band! Their latest album Qntal VI: Translucida arrived in the post this morning and shall be reviewed in the coming week. Until then, enjoy “Flamma” from their fourth album. Fantastic track and a perfect performance.

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