Archive for February 2, 2009

Takayuki “J99″ Aihara – SEGA Mega Drive Medley Review

The Sega Mega Drive (Or Genesis if you’re American) gave us some of the pinnacle of game music with its superb 16-bit madness. This three track CD comprises of 3 medley’s taking 24 games and then doing a non-stop medley between them all for some exciting remixed madness.

The games included are: Alien Soldier, Outrun, Space Harrier II, Bare Knuckle II, Crying, Monster World III, Ristar the Shooting Star, Super Fantasy Zone, Pulseman, Super Shinobi, Ecco the Dolphin, Gunstar Heroes, Vermillion, Golden Axe II, Shining & The Darkness, Shining Force, Landstalker, Phantasy Star III, Phantasy Star II, Battle Golfer Yui, Shikinjo, Ninja Buraiden & Rent-a-Hero. Some you may be familiar with however a few of them I was not as they may be Japan only releases.

Not that it really matters because each game really does just have its main theme played through in true 16-bit synth style before a seamless transition to the next game theme. On each of the three tracks, the transitions are superb and you never get bored with each song clocking in at the 8 minute mark. It’s a great trip down memory lane and the songs haven’t sounded so good in a long time.

The first remix is the Arranged version, which takes each song into a dance version and polishes the synths and this is probably the best version. The second mix is using all the original synths completely which is daring and apart from some drum confusion, it works perfectly. The third and final mix (by Dr. Cova) is the “Super Medley” which kind of bridges the two and uses both original and revised synths and a follows a different pattern of songs altogether.

Fans of 16-bit music will find heaven here, and anyone wanting to know how remixes or 16-bit music can really revolutionize your vgm collection really needs to get the cd. An expert class in game music.

Hiroki Kikuta – Soukaigi Soundtrack

Soukaigi’s music is as beautiful as it is overwealming. From a game I know nothing of, sometimes there can be a small barrier if you don’t know a thing about the game itself but here the music speaks for itself.

The album opens with “Ancient Power” which is beautifully sinister track with sweeping strings that have short stabs of urgency and danger to them. Combined with jangling bells it has a nice to the touch – bad to the bite tone to it. Followed by the flowing guitar and piano beauty of “Angel’s Fear Again”, which is far too short, the album really gets off to a blinding start.

“Quake” reveals one of the versions of the main theme. Sung in a variety of keys at the same time to a pumping drum sets, bass and piano it really kicks out a punch and with the tune itself being very catchy it soon highlights how exquisite this album really is. “Fire Wire” is much along the same lines only more frantic with pace and tune with some superb string works and magical piano pieces put in for good measure! It is pure heaven on the ears.

“Strange Promise” showcases an echoed Spanish sounding guitar and reminds me of what could be a labyrinth song. The guitars are then ad libbed on by Rhodes for a beautiful middle section while still having stomping drums. “New Day” continues the Spanish hybrid of music with some stylish laid back jazz guitar and piano playing. It goes at a fair pace so you can really do the salsa with this one!

“Absolute Lady” keeps the drums rolling with some fun vocal sample and editing is what is a busy but slightly overdone track at times. Still good fun though and by no means bad at all and it all comes together just right at the end. “Riot Emotion” starts off like a 1980′s Megadeth or Metallica song with the basis on bass! This song runs much like the previous track, taking separate tunes before breaking them down and then elaborating on them. My favourite part is when all but the piano and some demonic sounding bells are left. Good dark music!

“Sign” brings the tempo down a bit with a desert-esque song with little guitar embellishments that snake around the strings and percussion in a menacing way. “Frequency” uses the guitar in the same way as well as the piano to make for some impressive displays of musical talent. It’s almost like a stand off between the two instruments at times, excellent playing and well thought out.

“Labyrinth” is a wind instrument led song which reminds me of a mirage. This is one of the weakest songs for me as it didn’t really capture me as all the others did although to say its a poor track is a great injustice. “Broken Memory” however does so with panache. The first real slow song since track 2, the orchestral piece is a real tearjerker as its very serene but downbeat – like a graceful fall to death. There’s a real elegance to it.

“Energy” uses an electric guitar in what reminds me of the old early 1990′s arranged soundtracks that most games were given! There’s also a nice Hammond organ solo for kicks in what’s a very lively song indeed. “Die On Destiny” drifts further off into the 1980′s with every instrument for a nostalgic trip which is good or bad depending on your view of that era before “Regret” finishes off the back to the 80′s section with a lovely electric guitar and organ led song which comes across like a rock oddity and sweeps you away.

Its all change with the superb main vocal track of the album called “Lovely Strains”. Its a beautifully layered orchestral number with a soft vocal with reverbs that bounce around the speakers. Its very lush before it calmly goes into a orchestral solo! Different instruments play a little bit of the tune – some happy and playful, others full of grandeur. It all comes together for a grand finale with strings and vocals working in harmony. Its a superb piece and one that is played out in a twinkly fashion for the closing track “Silence” which cutely petters out the tune with bells.

“Soukaigi” is a piece of beauty. Some of its slightly dated sound may put people off but look beyond it and you’ll find a truly outstanding album that deserves a place in everyone’s collection. Well done Hiroki!

Yasunori Mitsuda, Hiroshi Hata & Kalta Ohtsuki – Chrono Trigger: Brink of Time Arranged Soundtrack Review

“Chrono Trigger: Brink of Time” may well win the award for most edible front cover with its fried breakfast on the front. However the task at hand of arranging what many would agree, is a fantastic soundtrack – would be much harder than scoffing down a yummy breakfast.

Hiroshi Hata & Kalta Ohtsuki give each track on the arranged album a jazz flavour which immediately unsettles me as I’m not a fan of the genre. However I have sat and let this CD flow over me time and time again before I wrote this review so as not to be biased.

“Chrono Trigger” is an interesting jazzed up piece using brass instruments, funky keyboards and bashing basses to up the ante with a lovely string section in the middle. Overall the track met my expectations and went beyond them for a jazz arrangement.

“Secret of Forest” however slows things down for a cool laid back approach and while there’s no denying the guitar work on the piece is sublime it just doesn’t do wonders for me. “Zeal Palace” just confuses however with sparse arrangements and thick bass lines and just never really gets going for me at all.

“Warlock Battle” gives us synthesized electric guitars, computerised basslines but seemingly live drums for the opening bizarre section. Once the main song gets started things improve greatly and it reminds me a bit of a lost Gitarooman track which is fine to me! “Chrono Corridor” is another strange blend of synth and live instrumentation however I enjoyed this track greatly as its jazz fusion and dance elements combine well.

“Undersea Palace” gains extra help from Gizaemon de Furuta for a beautiful electric acoustic guitar solo which is simply beautiful before the keyboard driven background adds excellent tension to a fantastic track. “World Revolution” continues on the same wavelength of pace and desire with a riot of a track which comes across like a jazz/arcade freak out – like something from an arcade shoot-em-up.

“Brink of Time” gets out the double bass for an interesting track which is not entirely successful in its slinky aim but is far from offensive – another track that doesn’t grab me.

“Guardia Millenial Fair” however does grab me with its old style musings and slightly off tone and kilter tunings of the instruments. However towards the end steel drums join in and they just don’t go with the surrounding instruments and it becomes slightly messy. The CD closes with Latin jazz fusion “Outskirts of Time” which is a well accomplished piece that has direction, pace and skill involved.

Despite all this time I’ve owned the CD (several years now) I’m still so very open juried over it. It has skill, class and a feel that’s relatively original and yes, it certainly does arrange the originals! Yet I still have yet to really connect with it in a way that means I look forward to coming back to the CD as soon as possible – and that annoys me because it’s technically well accomplished. A CD very much down to personal taste – a love or hate arrangement.

Live Vault – 8 Bit Instrumental

This weeks live vault comes from the band that revamps our 8 bit melodies – 8 Bit Instrumental. I’ve only recently found this band but I’m really enjoying their work. This is their jazz take on Sonic The Hedgehog 2′s Casino Night. It’s all retro good!

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