Archive for January 31, 2010

Panda Transport – “Monorail” Review

Monorail is the new 6 track EP from Panda Transport and I can confirm that it is rather fantastic. The duo fuse alternative pop electronica with random extras to create a fun.

Opening with the title track, is a groovy cloud-infused piece of dream-pop that you’d be quite happy riding to work via country lanes on your bicycle to, smiling and tipping your hat to all whom pass you. It’s just delightfully upbeat and fun. I could see it opening a Japanese Animation actually.

“Saint Revel” is the song currently gaining exposure via Grey’s Anatomy and is a little more laid back and chilled out with some fantastic vocal layering and sweet electric piano with a Sitar section! How can you lose? Panda Transport’s ability to carry off placing random instruments into a relatively standard track to make it stand completely out from the crowd is one of their key assets.

“Up The Disco” is a more a lighter-swinging track as its more subdued despite its percussive bangs and while its less immediately gratifying than the previous tracks the chorus riff will stick around in your head after a few listens.

“Freak Show” is cute. From the xylophone to warping electric noises to the mariba-esque percussion, it tippy-toes about with children’s movie overtones and then bursts into a lounge jazz piece like something from the Katamari games. I actually really like the way how the whole song shifts into a more slinky mood and it certainly stands out.

“Cicadas in Stereo” see’s Kathy step down from vocals and Ti step up for a French song full of cuteness that verges on Pikmin style music. Think Jazz gone to the circus with a gallon of icing on top. The closer is “Dark Horse” is as close to a downbeat ballad as you’re going to get. Quite minimal and vocal fronted, it works really well with solomn church bells and low hummings setting the mood and is a welcome change from the other very uptempo numbers.

Monorail is a great introduction to a duo that are prepared to take a chance by going for a different approach everytime and merging things together you wouldn’t nessacarily sit together and making it work. I expect to hear of more great things from Panda Transport in the years to come as the alt-electro-pop genre continues to gather strength and popularity.

Espers – “Espers” Review

Espers are a beautiful breath of fresh air for me. With their debut album (I’ve only just been introduced to them) they really give you a psychadelic folksy dreamstate that you can drift away in.

“Espers” opens with the dreamy guitar/flutes/vocal layering of “Flowery Noontide” which is simply a slice of heaven in a speaker. It’s very etheral and otherworldly and you feel like you’re gliding through the clouds. “Meadow” meanwhile is a more darker acoustic guitar driven track that has a heavy apocolyptic feel drenching the song from the undercurrent electric hums to the bending strings and the beautifully tuneful dual male/female vocals that are perfect in harmony. Gregg takes the lead in the more electric “Riding” which has Espers’ signiture acoustic melodies but they are eclipsed by rousing electric guitar solos that raise your spirit and really send you on a journey with it. Coupled with Zither strums, its another great track.

“Voices” has a real Eastern feel to it with lots of twisted chords and hypnotic vocals and it really comes across in a menacing manner for me instead of being relaxing, there’s just an unnerving with the track – great stuff! “Hearts & Daggers” continues but builds the tense flowing atmosphere with an eight minute epic including a fantastic bridge section that really rips rip neo-folk style! Sometimes epic songs outstay their welcome but not here at all. “Byss & Abyss” then gives us another tale of two halves. The first part of this song is a lost wandering soul and then gradually electric blips and buzzes enter the track to almost signify that the depths have been reached. It’s really quite interesting how the songs continue to evolve throughout the album and what would originally be classed as etheral (as this whole album is) gradually becomes more hypnotically dispairing. It’s so well done that you don’t notice.

“Daughter” is a like a siren calling you into the sea for your death swim. It’s so beautiful but against the slightly maddening backdrop of the rest of the album, it almost feel eerie! It must depend on the mood. “Travel Mountains” closes the album with a fantastic instrumentalesque track with lots of acoustic and electric guitars, etheral choral elements and all kinds of electrical hums and string elements flowing around in circles in a maddening shroud. Like a place that lost souls meet for group screaming therapy.

“Espers” is quite possibly one of the most beautiful eerie albums I have heard in the last decade. It has a fantastic flow to it, draws you into its secrets and then utterly encaptures you with every riff and downplayed doomsday beauty nuance it has to offer. Utterly mesmerising.

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