Archive for 8-bit

Hiroaki Suga & Hideki Kanazashi – “HAL Game Music” Review

HAL Game Music is an old soundtrack from 1988 featuring mainly arrangements from the game series – a series I have no knowledge of at all! The composers are Hiroaki Suga & Hideki Kanazashi but the first eight tracks are arranged by Masao Hiruma. Suga & Hiruma only have one other game music credit to their name and judging by this piece – that is a shame as HAL has an interesting set of ideas, just not perfectly executed.

“Yogen” opens the soundtrack with a synth arrangement of a pretty Japanese styled tune which actually sounds like it belongs to something from Shenmue! It’s followed by “Ihen” which sounds more like a random Mega Drive/SNES era dungeon battle song. It has quite a bit of character which is slightly confused by all the random warning sirens and sound effects which come across to me like spaceship noises thrown in almost at random. “Muma” is up next – another slightly confusing track with a time-stepped background snyth with detuned harp samples playing. It’s eerie and detuned but still trying to be elegant at the same time. This causes friction between the two sides of the song but it definitely doesn’t make it unlistenable – it’s just very interesting!

“Kyoko” ups the ante with a dramatic Mega-Drive style battle track which redeems the quality of the soundtrack somewhat indeed. “Haikyo” is only a minute long breezy and slightly dysfunctional interlude once again giving a very oriental disorientated feel before “Fukkatsu” gives us an uplifting tune of military standards. It’s very well done but once again you have to remember although these are arrangements – they are old arrangements so sound like a 16-bit sound chip and at times early PS1 music. Depending on your view of music at that time will clarify whether you’ll enjoy these tracks or not. “Shintaku” is a fun and fast paced ditty showing a more lighthearted side to the soundtrack ending the arrangements.

“Eggerland” gives us a wonderful ten minute piece of original music sounding like classic gameboy music to me. The bleeps and blips are spot on, clear and crisp. “Interlude” is just a small chirpy piece before “Fire Bam” gives us an eight minute rendition of original music. These two big tracks loops themes quickly before the next theme comes in – Eggerland seamlessly moving between tracks while Fire Bam fades out and restarts. Both tracks are superb however.

HAL Game Music is old so you wont find too many of them about. The arrangements aren’t bad but the strength comes from the original soundtrack included – a surprise for me to say these days. I had no previous connection to the music but quite happily bounced along to the original soundtracks without a care – that’s good music. Not classic. Good.

Video Vault – 8 Bit Weapon

New album Bits With Byte coming this month!

Chris Huelsbeck Goes Digital!

Chris Huelsbeck goes all digital with his latest releases. Last week saw digital worldwide releases of soundtracks to Zombiesmash and R-Type Themes and with that it appears a few other releases are suddenly available, such as Turrican and his own compilation CD’s, now over in the UK and not just Germany!

Snap em up, Chris is a wizz!

Jake Kaufman Releases “Risky’s Revenge OST”

Jake Kaufman (or Virt as many VGM lovers know him as) has just released his latest soundtrack “Shantae: Risky’s Revenge” for the community. Jake has a lot of fantastic music available on his website and you can choose how much you want to pay for the albums which allows for generous donations! Pop over to Big Lion Music for the low down!

Whispers of the Plains ~ EpicNES

A few days ago we introduced you to them, now its time to chat to them! Here’s a quick conversation with the Swedish 8bit tribute band EpicNES:

Where did the idea for doing a tribute band for NES arrangements originally come from?

It actually started a few years ago when I was playing in a rock band that played 70′s rock music. Then I discovered a dutch 70′s band called Ekseption. They re-arranged classical music into rock music, and they quickly became my favorite band. I then felt that I wanted to do something similar to what they had done. When I heard the song “Dwelling of Doom” from Castlevania 2, I got the idea to re-arrange music from NES music to be played in a rock band. Then about a year later myself and Oscar Wigner (guitar) were going to do a project in school together and I told him about my idea to re-arrange NES music. He liked it, so then the band EpicNES was born.

How did you go about finding your band mates?

Well from the start it was me playing keyboards and Oscar playing guitar, so we knew that we had to find a bass player and a drummer.

The bass player Andreas Eliasson is an old friend of mine that I went to a music school with a few years ago. I had not played with him for a while when I asked him, but I knew that he was the right man for the job since he’s a great bass player, arranger and also he loves playing NES.

The drummer Hampus Olsson used to go to the the same school as me and Oscar and also the three of us took a summer course together called “Live performance”. There we played together a lot and also got to know each other quite well. So when we looked for a drummer we knew that we really wanted Hampus, and Hampus said yes without a doubt! So then we had a complete band!

What was the first song you all played together on?

Well the first song that we arranged was Castlevania, so I guess that was the first song we rehearsed together.

You’ve had a great response back from people about the first three songs online, how does that feel to know people are listening and liking?

The three songs were recorded in december last year, so they were kind of hidden for a while until we created a Myspace account and started to tell people about them. Then people started to show interest in the songs and they also sent messages telling us that they really liked the songs, and also told us what they like about them etc. At that point I did get a lot of energy to continue arranging songs for EpicNES since we were getting such good response. We are really excited about the publicity we’re starting to get now.

You’re currently making five new arrangements – can you tell us anything about them?

The new arrangements are more suited to be played live and also we’re very pleased with them. I don’t think I should tell you which songs we have arranged. It will be a surprise =)

Do you plan to play your arrangments live any time soon?

Yes, we actually have our first gig booked on wednesday next week! So then we are going to perform all eight songs live. That’s the reason why the new arrangements are made more live friendly. After that gig we’ll se if it works well live. If it does we might to go on the road with EpicNES.

Are there any arrangements you’ve not done yet that you’re dying to get to do?

I would really like to arrange the Maniac Mansion music. It’s one of my absolute favorites. Also if any of the readers has got suggestions for game music that we could do, please let us know!

What’s next after the new arrangements for EpicNES?

Well we might do some more live shows, and then we will record the new arrangements this summer to release an full length album in the fall.

Many thanks to Daniel Karlsson for his time and don’t forget to check out their myspace page!

Introducing… EpicNES

A relatively new NES tribute band called EpicNES has not long posted their first trio of songs online and HPM really likes their style. Lead by Daniel Karlsson on keyboards – together with Oscar Wigner on guitars, Andrea Eilasson on bass and Hampus Olsson on drums, the quartet take NES melodies and transform them into chilled out 70′s stadium rock arrangements. The three arrangements currently up are of Castlevania, Metal Gear Solid and my personal favourite Ninja Gaiden. EpicNES are currently working on five new tracks but you can listen to their original three on their myspace page. We’ll be talking to them in an interview soon so stay tuned!

Yuzo Koshiro & Meiko Ishikawa – “Original Sound Version of Dragon Slayer IV – Dragon Slayer Family” Review

Dragon Slayer IV is not a game I have played but then with many OST’s, I have not really hand first hand experience of the games. This soundtrack is a real old skool sounding one, having been released back in 1987. The casette is quite rare to find these days but knowing the composer is Yuzo Koshiro along with Meiko Ishikawa should be the seal of approval everyone needs to know this is going to be good.

The “Opening Theme” is nice and pleasent but doesnt really have a hook. “Inn & Residence Theme” however is very catchy and up tempo song that is uplifting. It uses a bass key to make a strong beat and it really makes the song.

“Select Screen” is an echoey piece that uses long, thin snyth sounds to make a beautiful opening to the song before a drum beat starts up and some cute high pitched arrpegios take centre stage. The “Overworld Theme” has a strong theme to it and uses a bass synth for a military drum line which helps it through.

“All Together Now” is a manic song that has a slow enough melody but has fast pulsating basslines around it which go back and forth between each speaker giving a marvellous effect. Interestingly “Shop Theme” is actually faster! Taking away the bassline and replacing it with a speedy drum track. After around 40 seconds the track stops and then a new, slower song starts with a strong tune again and shows that the older tunes can still mix it with todays technology.

“Theme Of Xemn” is a fantastic song. Its rich with tune, tempo and bass. Dragon Slayer 4 has its sound very much in the speakers making from a slightly ear piercing high end pitch and very bassy low end tone all at once. Here it really works in its favour and shows off a classy song. “Battle Of Tarantuness” also benefits from this sound producing but have the most bizarre effect I’ve heard in a while. In stereo – one speaker has the tune and the other the bass. Upon every new line or two, they swap speakers! Its very original and makes for a dramatic song to be upped in action even more. Tremendous stuff!

“Theme Of Pochi” is a complete change. The tune is very catchy, playful and churpy. The drums and synths work very well together here too. After a minute the song changes again to a more dramatic piece that too uses stereo sound to convey itself very well.

“Battle With Erebone” is like a hyper song that goes up and down three chords at high speed before a spooky but jalting ending. Its more a piece of art than a song and takes a few listens before you’ll love it.

“Theme of Lyll” is enjoyable and reminds me of an old cowboy film when the lone ranger rides across the land and you get the music in the background! Another very well done song. “Battle With Archwinger” also works well with a more conventional battle piece with strong melodies.

“Theme Of Meya” is a strange beast. The instrumentation is very forthright but the song itself is actually fairly happy and so is hard to judge for a while and takes repeated listens to understand. A good song nonetheless though.

“Battle With Rock Gaia” is only a 30 second song and suffers from a lack of bass for a battle song and not enough time to get into it. “Dragon Showdown” however gets it perfect and is right into the swing of things before letting out some sound effects which sadly marr the second half of the song. Its good to have sound effects in places, but it really goes into overdrive!

“Ending Theme” is a delightful track full of bursting energy while “Teatime Melody” is the calm track of the album with a nice village town track with good use of echo. Even the short “Death Theme” has nice neat touches to it!

“Theme Of Roas” is a quick little number that like the Ending Theme is full of energy and a catchy tune. To round off the album you have a quick run through of all the sound effects which are run to the background of various pieces of the OST.

Dragon Slayer 4 OST is the kind of music that could be easily regarded as classic old school VGM. It has character, catchy tunes, big meaty synthersizers and all done on a shoestring budget. If you want to go back to the heart of VGM, this is one place where you can start and for the rest of us, you can enjoy some high quality music. Superb!

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