Archive for October, 2008

Tommy Tallerico – 007 Tomorrow Never Dies Game OST

James Bond may have various soundtracks to his name but he still only has one official computer game soundtrack composed by Tommy Tallerico. However being saddled with such a famous signiture tune, you’d forgive him for a complete shortfall of original tunes. Tommy either daunted by the task or by contractual obligation then works the same old bond theme through every single one of the 17 tracks on this 007: Tomorrow Never Dies Soundtrack at some point or another. Some may think its genius and to an extent it is but on long playing it is near lunacy.

The opening track “James Bond Theme” is just the same old Bond theme, overused yet still not without its charm is most definitely passable before out come different songs such as “Confrontation”, “PPK” and “Alarm”all using the same chord progressions of the Bond theme, some more subtle than others basically replaying the same song over with slightly different instrumentation, or at a different pace. Some work better than others but by the time you’re over the half way point you really do begin to wonder if you can survive the rest of the cd!

Its a bit of shame though because if taken completely separately, the songs stand much better on their own. Songs such as “Outpost” with its sneaky guitar riffs could actually be very good compositions but when placed together on the same cd its just too much.

Just think if someone decided to make an entire soundtrack out of the Prelude for Final Fantasy and just played it with a few different instruments at slightly different tempos – then you will know how it sounds. Novel – but not lasting.

Live Vault – Joe Hisaishi

Joe Hisaishi is this weeks live vault artist with a beautiful rendition of “Ashitaka Sekki”, one of the main theme’s from Anime “Princess Mononoke”. DVD’s are on the way so hopefully we will review this in the near future! Until then, enjoy this lovely performance.

Charlotte Martin’s Oprhan’s Gets Date

Charlotte Martin’s “Orphan’s” gets its release date as 11/11/08. The EP (so probably 5-8 songs) will contain songs that she hasn’t put on other records or have been left unrecorded. There is a beautiful clip of one of the songs, Galaxies, on her myspace page for you to listen. It’s lovely to hear her back with just herself and a piano after her technical touring! You can get the album at her music store.

Ayumi Hamasaki – New AA Single

Ayu is back after her usual two second break inbetween albums! Her new single is a double A side with the songs entitled “Days” and “Green”. There will also be a rerecording of “Love – Destiny -” as the b-side. Two versions of the single will be available with the premium version including a DVD of the making of both music videos and the videos themselves. Its due for release on the 17th of December.

She just can’t sit still can she! Other artists should take note too – this is how singles should be packed. Long live b-sides and extras!

Video Vault – Fischerspooner

Aww bless the mini one hit wonders. Sadly Fischerspooner’s album was a bit hit and miss for me but there single “Emerge” is pure class. Enjoy the random music video here! The video is actually a lot longer if you have the cd single – there’s a whole preparation part before!

Gary Lucas – Demarcation Review

Our first artist to be interviewed by HPM, Gary Lucas is now ready with his first full length release “Demarcation”.

Opening with single “Half My in Headphones”, an up-tempo number that has a slight tint of 70′s jazz with its Rhodes slinking through the song and the scatting in the chorus. It’s all very catchy and hooks you in. In contrast “Musicalise” is an acoustic guitar and vocal piece that is downcast and showcases Gary’s digitalised vocal treats which is very reminiscent of Imogen Heap’s style on “Hide and Seek”.

“Asleep in Your Bed” has tinges of Tom McRae and a vocal of Rufus Wainwright with a particular sound to the song that makes it sound like a musical show stopper gone tragically wrong. “Glow” is a slow but powerful ballad which sounds very late 80′s which is exactly how the next song “Hate” comes across despite being electronically driven. “Hate” in particular is a strong contender for song of the album with its catchy lines.

“How do I Put This Day Back” however takes the song of the album for me. Its whimsical acoustic guitar and soft keyboard pads swirling behind it snuggles into you while Gary’s vocals, especially when hitting higher notes really hit the spot.

Then smacking you in the face is the dark dance that is “Spinning”. Sounding like something Soft Cell would have been proud to put out, combining strong lyrics with a killer riff, this backs up Lucas’ potential to really grow into a great all rounder in the future. “Demarcation” follows as a sparse piano/vocal song that oozes pain. For all the bells that’s added onto the early tracks on the album, its generally when its all stripped out that Gary shines through.

“Universal Understanding” is a chirpy up-tempo number that’s a little bit funky with its jazzy organ and middle section that flows particularly well and again comes across late 70′s in style. “Lost Out” is another piano/vocal song that waltzes carefully and delicately throughout. “Ode” again sounds like Wainwright all over while the almost cabaret rock “Breakthrough” reminds me of Keyth Lawrence and the Purple Circle.

The album then comes to a close with the bass filled ambience stodge that is the fabulous “Burnt Out” which leads the acoustic driven “What Could Have Been” which showcases the basic talent Gary Lucas all over.

Throughout this album there is a certain alternative cabaret from 1978 feel going on and its a unique sound to pop into. Gary Lucas touches on various genres and therefore maybe some songs will definitely appeal to you more than others but one thing is for certain;Gary can pull off a ballad to great effect and when you can hold someone’s emotions through six minutes of heartache, you’ve pretty much won them over.

Gackt Returns

Gackt returns after a year away with new single “Jesus”. Due for release on the 3rd of December appears to have no first press bonuses. If you can’t wait that long then grab Nine*Nine – the ultimate live box set!

Utada Hikaru – Eternally Drama Mix sample

A re-release of sorts, “Eternally”, a beautiful ballad taken from Utada’s second album Distance is getting a digital single release with slightly different vocals. Apparently the vocals are different takes of the same recording session and the sample that’s up on her website sounds identical to the original really. You can listen to it here. Maybe the differences are in the verses?

Live Vault – Clatter

This weeks live vault comes from bass/drum husband/wife duo Clatter that certainly know how to rock out. The song is “Left Out” and is taken from their second album Monarch which we will be reviewing later on this week. There’s some excellent videos about drumming on their profile which we’ll be looking at too!

Deborah Henson-Conant Birthday Bash Concert!

It’s rude to ask of a ladies age however as Deborah is showing, the older we get, the more we should celebrate! She is holding a two night birthday bash concert on the 21st and 22nd of November in Newburyport, MA. She posted in her e-mail that this year is particularly special as she will now older than her mother would have ever been. She makes a cracking show so if you can, visit and prepare to be charmed.

LittleBigPlanet delayed after so-called controversal song

Has the world gone mad? It seems so. Sony’s big trump card for the PS3 has been the excellent LittleBigPlanet which threatens to take any most of my spare time for the next god knows how long with its superb game play aspects. However the release has been delayed due to a couple of people raising questions over one of the songs included on its soundtrack for background music whilst playing.

Toumani Diabate’s song “Tapha Niang” quotes some references from Islamic book the Qur’an. Apparently placing any text of the book to music is a big no no and so therefore Sony have received a couple of complaints. Sadly in the nannied world that has become a corporate baby and a melting pot of minority religions that have the everyday lives of the average human completely bent over backwards, Sony have actually had to recall the product, remove the song and then redistribute it for a week later. Pardon?!?

Now I am not usually one to get upset over such things but surely the extremely small group of protesters have not seen the big picture here. I have no interest in religion in a personal day to day life yet I would have thought that by letting the song stay in, surely the words of Qur’an would reach people who are infact closed minded to their religion. Even if it was just to say the song was a good song, its still spreading the word and giving pleasure. Now all this has done has brought intrigue into just what exactly is so bad about singing a religious song. Would someone singing a passage from the Bible be asked to have it removed? In fact would a Biblical song be “allowed” to be included anyway as it would be considered politically incorrect in the first place and may enforce our ways on another. Maybe that’s just the English way but its a sorry state all the same.

You can listen to the song here and make up your own mind and then answer my poll below.

Tori Amos – Live At Montreux 91/92 DVD & CD Review

Well it finally arrived and so we can finally review it after several viewings and night time vigils listening to the CDs – yes its a Tori Amos review!

Taken from back to back years of playing the same festival the two concerts show a curious before and after biopic of how getting a record out really can set you free. The 1991 festival was before “Little Earthquakes” was released, the ’92 show was several months after.

The ’91 show is refreshing in a way that you hear Tori play the songs completely straight and in their album form. However what is more telling is that Tori’s live performance is utterly compelling from the first key to the last.

“Silent All These Years” is played at album speed with perfect high pitched vocals which is something you don’t get often these days. There’s nothing wrong performing it slower and intimately but its nice to hear it played this way too. “Precious Things” is just as fierce as I’ve ever heard, with the electric piano really getting a pounding. Tori doesn’t give an inch at all during this song – one that would become such a staple for live shows here on in.

“China” follows with an almost militant bass note played in the verses which gives it a different flow and feel to how the song ended up with a completely different middle section with Tori raging “I know you love to hit me boy”. “Crucify” too has an urgency to it with a flow and speed to it which is really refreshing to hear the bare bones version after 10 minute renditions (not that there’s anything wrong with those) of late. “Leather” completes the first half with Tori talking for the first time giving insight into the songs background. A Tori staple, this song has always been spot on and again it is here.

“Song For Eric” opens act two, a beautiful soaring vocal piece that became a b-side, as did “Upside Down”
which is haunting yet compelling. “Happy Phantom” then juxtaposes it with the trademark bounces and woo-hoo’s and a cute mistake at the beginning! She then dedicates a beautiful rendition of “Winter” to her dad before doing a spirited encore of “Thank You” (again different to how she records it later on). These ten songs are like witnessing the birth of a real stage performer of legendary status and that’s only sealed by disc 2 when the following year she returns with another set.

For ’92 she is armed with a real piano opens with “Little Earthquakes” and immediately gets into her stride, having a go at the talkers in the front row and then giving a great performance albeit skipping the second verse. “Crucify” then sounds much more stilted this time around with specific speed transitions for emphasis – something she uses readily to this day with perfect effect.

“Silent All These Years” has a great story to open it, showing Tori’s confidence to open up to the audience more this year round. Then we’re back into frantic mode for “Precious Things” which equals the previous performance and continues as a real stand out. “Happy Phantom” seems more together too with a real skip to it.

The highlight of this performance however is the “Whole Lotta Love/Thank You” mash up. Tori lets rip as such brings the roof down on rocking piano keys and soaring vocals to all kinds of pitches and depths. This performance seals the deal that she is definitely a class act. To follow it up with “Me and a Gun” which is a captivating piece regarding her rape cements it. Where as “Song For Eric” was sped up last year, this year the vocal song is slowed down and delicately delivered.

“Winter” is also deliberate in places and really tugs at the heartstrings. The closing track “Smells Like Teen Spirit” seems like a strange one to end on. Its surreal and original interpretation means it sounds like an original with reserved anger.

The sound quality is excellent overall and the DVD is captivating to watch just as much as the CD’s are to listen. Its also different enough to make a worthy purchase if you’ve already bought the 2005 bootlegs or some of the downloadable American Doll Posse sets – and who doesn’t want a Tori solo DVD?

Video Vault – Kate Bush

This weeks video vault comes from Kate Bush’s song “Breathing”. This music video really taps into one of the big worries of the time, nuclear war. At the time this was seen as such a shocking video it was actually banned by the BBC as a protest against the song. As a result of a media blackout for the song, it became one of the lowest charting singles. However the videos not shocking at all and is very well portrayed. Enjoy!

Live Vault – Soundgarden

A personal favourite from the excellent Soundgarden is this weeks Live Vault. “Mailman” performed on MTV way back in 1996 – still sounds as powerful and damn fantastic as it did back then. What’s happened to grunge rock?

Risa Ohki & Nobuo Uematsu – “Final Fantasy Pray” Review

Final Fantasy Pray was the very first vocal collection of Final Fantasy songs. The songs were taken from FFI-VI and have been transformed from classic midi files into superb, fully orchestrated songs sung in a variety of languages.

Upon first hearing this album, you’ll be shocked at just how well these pieces of music have been transformed into fantastic ballads. The closest I describe it without you listening to it, is that it’s a CD full of ending vocal themes! Is it as good as it sounds though? Well in a word, yes!

The CD opens with “Prelude”, which is the opening theme, which has been used in one form or another in every Final Fantasy game. This time, the arpeggio is done with a harp, and the various vocal harmonies build up with a vocal choir. It’s a pure gem of a song, as its very fragile and gentle.

“The Promised Land” is created from the Main Theme from FFII. Its fully orchestrated string background and sweeping flute make the main tune while the vocals soar through. It’s very grand in its percussion and gives the feeling of a big piece that should be held in an opera!

“Mon Petit Chat” is from FFV and takes the form of the Music Box song. This has a very French feel from the language change, to the accordion. This song is a much happier song than the previous two but yet still has a whimsical feel too. The piano playing here is very well done.

“Wanderer Of Time” is Terra’s song from FFVI and is without doubt the showcase song from the CD. From the war drum heartbeat, to the endless harmonies in the vocals, this song screams epic. This is made more apparent by the way how the music feels fuller. The strings in the earlier songs sound a little thin, but here they are thick with grandeur and mystery. This is pure musical indulgence.

“Into The Light” is FFIV’s Theme Of Love, and is one of the more recognisable songs. The melodies do not stray very far at all from the original. While this song does have its strong parts, for the most part it’s a more tamed down and emotive version. The themes are played through instrumentally with piano and also with strings too, and the ending leaves you feeling just as fragile as the love in the story was, heart breaking.

“Esperanca De Amor” is an almost unrecognisable version of FFV’s Dear Friends! What makes it so different is it’s done in a slightly Spanish type of jazz! With the acoustic guitar and marimba merrily playing away to the beat, you’d never have believed this type of arrangement would have worked! It actually works very well, and gives a welcome break from the fairly downbeat songs we’ve had so far!

“Voyage” is FFIII’s Endless Ocean, which brings us back to soaring vocals and string pieces, but this time there’s a beat to it too. This song is one of the simpler ones that keeps the songs strong main melody.  “Au Palais de Verre” is FF’s Montoya’s Cave, which is instantly recognisable and thankfully keeps intact its bouncy tune, which after a slightly slow start, gets in full swing. This is probably the most cheerful song on the album and gives “Final Fantasy Pray” its bright touch.

“Once You Meet Her” is FFIII’s Maiden Of The Water and although it does sound a little similar to some of the other songs in the way its been reproduced, the vocals here are stunning, with a complete range of octaves. This is yet another beautiful tune, in which the harp and the strings interact perfectly.

“Pray”, the title track is the Final Fantasy theme. Once again, its epic all the way, with slow but hard hitting percussion, strings and vocals, and a cute guitar solo piece in the middle. The end spells out what this track is all about, as it showcases all the talents of this CD.

“Nao Chora Menina” closes the CD, and it’s an acoustic guitar and vocal version of FFVI’s Kids Run Through The City Corner. It’s very intimate yet soft and detailed and is a lovely way to finish the CD, just the way it started in a fragile and gentle way.

Final Fantasy Pray is a fantastic addition to anyone’s collection, even if you’ve not played the games that they have come from. This CD makes them into true songs by their own outright charm. With vocal songs being all the range these days the CD may not be quite as unique as it was back on release day but you can’t mistake its class.

Video Vault – PJ Harvey

PJ Harvey isn’t normally one for artistic videos that are unique however the video for recent single “The Piano” breaks her mould. You can see the video here. Stop photography and magazine cut outs have never quite been the same! Let’s hope she gets more adventurous!

Live Vault – Sigur Ros & Bjork

Two of our favourite artists here at HPM on stage together?! Woopee for us! Sigur Ros is joined by a drum baching Bjork for a rendition of Gobblegigook. Quite a surreal experience but one I recommend absolutely everyone should have! Enjoy!

Hideki Sakamoto – Echochrome OST Review

The various works of Hideki Sakamoto had passed by my radar until I purchased the game “Echochrome” for the PS3. Here I was introduced to a strange yet compelling soundtrack. Entirely classical, Sakamoto takes a string quartet and puts them through their paces and the end result is beautiful.

All the songs names are called Prime # and then a number. “3″ opens with an operatic verse before “7″ serenely slides its way through like a historical period drama dance piece. It’s tinged with an ounce of sadness and abandon but with hints of grandeur about it. That sentence really sums up the majority of the soundtrack too.

“101″ is a downbeat funeral dirge at times but with a bitter-sweet edge to it that makes it appealing and some discordant verses. “19″ however is more plucky and upbeat with a chirpy bounce in its step. It also has a strong vocal string line. “313″ is much more intricate and sounds far more desperate because of it. There’s a real tension in this piece. “61″ however sounds more melancholy and sounds like it should belong in the building music to The Sims 1. It has a quirky slightly out of tune twang to it which gives “61″ a unique character.

“2″ signals part two of the soundtrack with another short operatic number before “457″ swirls in with its sweeping adagios and urgency despite never really pressing for it fully. “59″ comes across about as close to boss battle music you’ll get on this album. Some frenzied string squealing is used in between rousing chorus’. “919″ also has an upheaval sound to it, like the march of a bad guy about to explode. Again, its all on a string quartet so its down to tune and tempo and not instruments itself, however this track sticks out as a definite favourite.

“5″ is a slow ache of high pitched, long held string chords with cute transitions. “233″ is a great waltz track that although you can’t exactly waltz to its entirety, is still a fun track and the soundtrack finishes with “9973″ with features the operatic voice to conclude the set.

If you’re not a fan or traditional classical music, nor plain string quartets just doing their thing, then this is highly unlikely to convince you. I’m not a traditional classical fan and so I find this album hard to listen to in one go. However when the songs are dispersed you appreciate the sound more. The playing is fantastic and the songs, while at times are lacking a strong riff or chorus to them, never fall short of pleasant. This however is a soundtrack that purely comes down to taste. There’s no guitars, drums, bass, keyboards – only straight up classical music with no gimmicks. If you’re not put off – take the plunge.

Live Vault – Natalie Imbruglia

I’ve always had a soft spot for Natalie – for once a soap star with real musical talent (although Neighbours has knocked a few). Here’s a unique performance of “Torn” complete with a mime?! Take a look for yourself.

Video Vault – Lauren Hoffman

This weeks video vault comes from Lauren Hoffman with a toe-tastic video to the excellent “Out of the Sky, Into the Sea“. I don’t think you’d ever catch me running round in bare feet around the streets and city roads so well done to Alexander Beller for that!

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