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Clustersun

Clustersun – “Surfacing to Breathe” Review

Leaving that guitar echo on warble for a beautifully detuned moshfest

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Larkin Grimm

Larkin Grimm – “Chasing An Illusion” Review

A slice of difficult wrapped in a sweet folk melody

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Camille

Camille – “OUI” Review

Returning from the Monastery of vocal layers in style

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Scarlet Crow

Scarlet Crow – “Remembrance” Review

Two voices, a multitude of sounds – sleeper hit of 2017

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Alt-J

Alt-J – “Relaxer” Review

An uneven but complex beast of beauty

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Manos Milonakis – “Festen” Review

Moody textures from the cutting room floor

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Wojtek Szczepanik

Wojtek Szczepanik – “Instinct 432hz” Review

A calming piano that’s sent to heal.

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Calan

Calan – “Solomon” Review

Your Celtic needs for 2017 are right after the fiddle!

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Charlotte Martin

Charlotte Martin – “Rapture” Review

Unmissable tales from the heart, mind and soul

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Concert Review : Rebekka Karijord

A fascinating evening of music, story and pregnant women everywhere!

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Daigo Hanada

Daigo Hanada – “Ichiru” Review

A quiet reflection from the inside of a music box

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Yoko Shimomura

“Final Fantasy XV Piano Collections Moonlit Melodies” Review

A gothic and complex collection of beautiful arrangements

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Sarah Slean

Sarah Slean – “Metaphysics” Review

One of Canada’s finest returns with another beautiful album

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Fenech-Soler

Fenech-Soler – “Zilla” Review

The album to dance around to for 2017

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Hauschka

Hauschka – “What If” Review

The line between genius and madness is straddled to perfection

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Niagara

Niagara – “Hyperocean” Review

Tipping the balance of experimental electronica

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Tiasu

Tiasu – “W_Hole” Review

A technical marvel of synth and guitar

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Ryan Summers

Ryan Summers – “F51.01” Review

The ambience of insomnia

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Thelma

Thelma – “Thelma” Review

Going for the anti-single makes this debut a winner

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Lucy Mason

Lucy Mason – “Going Home Broke” Review

When Aussie pop gets Worldwide production

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