Under The Spotlight

Jean Jean

Introducing… Jean Jean

Cinematic post rock full of drama, intrigue and space grooves
GEA

GEA – “Butterflies” Review

One great song, but an album that's wrong
Johanna Warren

Video Vault – Johanna Warren

A beautifully stripped back folk song.

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Youssoupha Sidibe

Youssoupha Sibide – “Sacred Sounds” Review

A new star of the kora has arrived

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Long Neck

Introducing… Long Neck

Powerful vocals and a meaningful stance

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Lone Kodiak

Lone Kodiak – “Feet in the Water” Review

Heartbreaking melodic post indie rockers that wear their hearts on their sleeves

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Kelly Moran

Kelly Moran – “Bloodroot” Review

The prepared piano played from pluto

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Helga Arvesten

Introducing… Helga Arvesten

Sweden’s budding alt-pop princess

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Matt Emery

Video Vault – Matt Emery

Piano in motion

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Kelly Lee Owens

Kelly Lee Owens – “Kelly Lee Owens” Review

Less is more with this electronica artist

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Stephanie Mabey

Video Vault – Stephanie Mabey

An ode to the creatives

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Clock Opera

Higher Plain Music’s Top 30 Albums of 2017

30 albums you need to listen to (with samples)

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Merry Chrimbo One and All

Happy holidays and an update for 2018 developments

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Dijf Sanders

Dijf Sanders – “JAVA” Review

A new way to fuse music and culture has been born

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Scarlet Moon Christmas Volume II Cover

“Scarlet Moon Christmas Volume II” Review

Christmas from the game music gang

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Hundred Waters

Hundred Waters – “Communicating” Review

Dream pop finesse

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Alice Coltrane

Alice Coltrane – “Turiyasangitananda” Review

A merging of cultures to create something otherworldly

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This Is The Kit

This Is the Kit – “Moonfreeze Shine” Review

Indie folk from grass roots to grit

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Murray Kyle

Murray Kyle – “Talisman” Review

Folk from the roots of Mother Nature

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Tom Rosenthal

Tom Rosenthal – “Fenn” Review

Acoustic anthems for the underdogs

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Mesadorm

Introducing… Mesadorm

Crazy cute indie pop project to make you smile

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Slow Meadow

Slow Meadow – “Costero” Review

Music in slow motion

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Kaitlyn Aurelia Smith

Kaitlyn Aurelia Smith – “The Kid” Review

One of the most experimental yet heady albums of 2017

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