Higher Plain Music

Colin Stetson and Brìghde Chaimbeul announce collaborative alternative sax and pipe album

This saxophone and smallpipes collaboration will cause a mighty wind.

Introducing… Radie Peat

Deep Sea Diver’s cover of Massive Attack’s ‘Teardrop’ is fabulous

Introducing… Greenness

James Ellis Ford turned his leukaemia treatment sessions into a creative outlet for music

Chelsea Wolfe returns with a double single and a world tour

Nanika – ‘Fears’ Review

Introducing… Maripool

Shoegaze trails on DIY rock anthems from a rising talent.

Deep Sea Diver’s cover of Massive Attack’s ‘Teardrop’ is fabulous

Introducing… Greenness

James Ellis Ford turned his leukaemia treatment sessions into a creative outlet for music

Introducing… Squirrel Flower

Manic Pixxies – ‘I know my headphones really well’ review

Introducing… Marina Yozora

A Thousand Mad Things – ‘Hate It’ Review

Theatrical dark wave and synth pop for all our sad goths needs

Introducing… Robbie and Mona

Introducing… SOFY

French chanteuse Camille announces first solo album in nine years

Tori Amos returns with uplifting mother/daughter bonding single ‘Stronger Together’

Pattie Gonia & Imogen Heap collaborate for social and environmental justice

Introducing… Shelby Natasha

James Ellis Ford turned his leukaemia treatment sessions into a creative outlet for music

Finding a creative way to process the grief

Chelsea Wolfe returns with a double single and a world tour

Manic Pixxies – ‘I know my headphones really well’ review

Merwulf – ‘In The Golden Age’ Review

Introducing… O’Phantom

St Vincent, Jules Buckley – ‘Live in London!’ Review

Best Alternative Music of 2025 (Mixtape Side B) Released on Higher Plain Music Radio

Abigail Hubbard – ‘People Watching’ Review

Discovering a trip hop gem, 14 years after its release.

Introducing… Greenness

Higher Plain Music Radio EP.014: Ephemeral Jazzy Tendrils Sliding Through My Folk

Introducing… Squirrel Flower

Introducing… Christa Wells

Introducing… Marina Yozora

Jesca Hoop – ‘Long Wave Home’ Review

Nanika – ‘Fears’ Review

This new French trio merge electro-rock and industrial pop to sing about inner fears.

Introducing… Marina Yozora

Introducing… SOFY

Introducing… Beatrice Deer

Pattie Gonia & Imogen Heap collaborate for social and environmental justice

Best Alternative Music of 2025 (Mixtape Side B) Released on Higher Plain Music Radio

The Go! Team – ‘Thunder, Lightning, Strike (Live at the Roundhouse)’ – Review

Introducing… Maripool

Shoegaze trails on DIY rock anthems from a rising talent.

Introducing… Greenness

Higher Plain Music Radio EP.014: Ephemeral Jazzy Tendrils Sliding Through My Folk

Introducing… Squirrel Flower

Manic Pixxies – ‘I know my headphones really well’ review

Introducing… O’Phantom

The Pineapple Thief’s Bruce Soord returns with new solo album

Introducing… Vilde

Music for hypnagogia

Void Comp – ‘Doesn’t Mean Anything’ Review

Imogen Heap’s new single ‘Aftercare’ shows AI in an empowered light

Muuju – Bedforms Review

Introducing… APACALDA

Kicking Off Our Artist Discovery Special by Introducing… Pure Carrière 

Tom Vek – We Have Sound B-Sides Review

Linus Alberg – ‘UON’ Review

Turning the harmonium into a full string section in this cinematic piano collection.

Blurstem – ‘Fallen Fragments’ Review

PILOTPRIEST – ‘Spring EP’ review

The Piano Matt has turned ‘Pooja, what is this behaviour’ into a very dramatic piano duet

Introducing… Bangsana

Marika Takeuchi – ‘Iridescence’ Review

Piano Day 2026 Celebrations with a Higher Plain Music Radio Mixtape

Tori Amos returns with uplifting mother/daughter bonding single ‘Stronger Together’

An uplifting call to comfort feels like a follow-up to "Promise"

Bruno Bavota+Chantal Acda – ‘Safer Places’ Review

Introducing… Miarlequin

Tori Amos announces ‘Strange Little Girls’ Remaster on Vinyl with unreleased tracks to boot

Vanessa Carlton returns with first new music in 5 years

JFDR – from figure 8 Review

Phildel returns with sumptuous piano ballad ahead of UK tour

Tori Amos returns with uplifting mother/daughter bonding single ‘Stronger Together’

An uplifting call to comfort feels like a follow-up to "Promise"

Tori Amos announces ‘Strange Little Girls’ Remaster on Vinyl with unreleased tracks to boot

Vanessa Carlton returns with first new music in 5 years

Sarah McLachlan returns with new single ‘Better Broken’

Introducing… Camilla Wickman

Tori Amos – The Music of Tori and the Muses / Tori and the Muses Review

Kathryn Joseph returns with haunting ‘Harbour’ signalling incoming fourth album has a more electronic feel

Kate de Rosset – ‘It Will Burn’ Review

Your ambient pop, air sprite energetic boost is here.

ELE YPSIS – Quintet No 1 – Tik Tak Review

Árstíðir – Vetrars​ó​l Review

Berlinist’s live concert showcases Neva’s stunning soundtrack

Pêtr Aleksänder – The Whole World Laid Out Before Me Review

Blue Luminaire – Terroir Review

Shelby Natasha – ‘It Was Mine’ Review

A melting pot of Chinese folk, lo-fi beats, and ethereal vocals.

Tori Amos returns with uplifting mother/daughter bonding single ‘Stronger Together’

Bruno Bavota+Chantal Acda – ‘Safer Places’ Review

Introducing… Miarlequin

Hanakiv returns with new album ‘Interlude’… and the pianist is bringing her voice this time

Kate de Rosset – ‘It Will Burn’ Review

Violin-looping indie pop star Kishi Bashi to celebrate 10th Anniversary of ‘Sonderlust’ with special edition

Sister Species – Lena In The Bog Review

A folk rock band that brings its own three-piece trumpet section.

Live Vault – Anoice

Tori Amos – Diving Deep Live Review

Birdmask – Isolde EP Review

The Ophelias – Ribbon Review

Endless Forms – The House of Love Review

Introducing… Victory Chimes

Using the electric piano to create bass riffs to rock to.

Svaneborg Kardyb – Superkilen Review

Kelly Moran – Moves in the Field Review

Svaneborg Kardyb – At Home (An NPR Tiny Desk Concert) Review

Lucinda Chua – YIAN review

Hania Rani returns with new single ‘Hello’, embracing her ethereal jazzier side

Svaneborg Kardyb – Over Tage Review

Deep Sea Diver’s cover of Massive Attack’s ‘Teardrop’ is fabulous

Turning an ethereal classic into a raging rock explosion.

Chelsea Wolfe returns with a double single and a world tour

Nanika – ‘Fears’ Review

Merwulf – ‘In The Golden Age’ Review

Emma Ruth Rundle announces new album and releases single that merges her acoustic and heavy rock sides

Introducing… Ellie Heath

Mia Doi Todd – ‘Human Experience’ Review

Kathryn Mohr – ‘Carve’ Review

One woman, one guitar, endless distortion effects.

Introducing… Starly Kind

Higher Plain Music Radio returns: Best Alternative Music from 2025 Mixtape (Side A) show released

Introducing… Marta Vega

NERiMA – ‘All My Mistakes’ Review

Introducing… TV Moms

Introducing… Cosmic Kitten

Emma Ruth Rundle announces new album and releases single that merges her acoustic and heavy rock sides

An album of hope in These Killing Times

Live Vault – Castle Rat

NERiMA – ‘All My Mistakes’ Review

MSPAINT – No Separation Review

Introducing… TV Moms

Introducing… The Family Battenburg

Live Vault – St. Vincent

Introducing… Maripool

Shoegaze trails on DIY rock anthems from a rising talent.

Introducing… Greenness

Higher Plain Music Radio EP.014: Ephemeral Jazzy Tendrils Sliding Through My Folk

Introducing… Squirrel Flower

Manic Pixxies – ‘I know my headphones really well’ review

Introducing… O’Phantom

The Pineapple Thief’s Bruce Soord returns with new solo album

Introducing… Fall of Messiah

What happens when you take post-rock sensibilities into hardcore screamo rock?

Bird’s Robe Celebrate 15 Years of Australian Prog Rock and Post Rock with Documentary Series

Live Vault – Anoice

Introducing… Maud the Moth

Tycho – Infinite Health Review

Robin Guthrie – Atlas EP Review

GGGOLDDD – PTSD Review

Introducing… Sarah Nimmo

If Annie Lennox and Heather Small taught today's generation how to write queer power pop.

Clark returns with new album produced by Thom Yorke

Introducing… Maya Malkin

Please Lose Battle – Fond de Frigo Review

Introducing… The High Water Marks

Introducing… Sofia Portanet

ANIIML – ‘Oh Awe’ Review

Throw Down Bones – ‘4EP’ Review

Workout music for demons

Kathryn Mohr – ‘Carve’ Review

Kadhja Bonet’s ‘Geodesic Planet’ shows there can be beauty in unfinished and incomplete art

Yuuf – ‘Mt. Sava’ Review

In The Pines – ‘Sunbeam Dream’ Review

Introducing… Midnight Rodeo

Introducing… The Family Battenburg

Manic Pixxies – ‘I know my headphones really well’ review

Alternative art rock meets riot grrrl energy.

Otoboke Beaver – ‘Is The New Album Out Yet?’ Review

Introducing… Starly Kind

Introducing… OGRE

MSPAINT – No Separation Review

Introducing… Cosmic Kitten

Run! Run! Jump! Punch! – Pizza Trois Sauvages Review

Introducing… Maripool

Shoegaze trails on DIY rock anthems from a rising talent.

Introducing… Marina Yozora

Kathryn Mohr – ‘Carve’ Review

Explore the darker dream pop and electronic side of 2026’s first chaotic months

Divorce Attorney – ‘Always Something’ Review

Introducing… Starly Kind

Introducing… Marta Vega

Abigail Hubbard – ‘People Watching’ Review

Discovering a trip hop gem, 14 years after its release.

Introducing… Radie Peat

Introducing… Greenness

Introducing… Christa Wells

Luke Nickle’s banjo anthem ‘F*ck Your AI’ is my new anthem, too

Jesca Hoop – ‘Long Wave Home’ Review

Mia Doi Todd – ‘Human Experience’ Review

Chelsea Wolfe returns with a double single and a world tour

Will the audience smell of Spectral Grace?

Kathryn Mohr – ‘Carve’ Review

Frenchy and the Punk declares ‘War on War’

Kaya North – ‘Hunt’ Review

Mike Tod’s rendition of ‘Oh, Death’ is this year’s St. Patrick’s Day haunt

Myrkur’s latest single takes part in Denmark’s Eurovision selection process

Higher Plain Music Radio returns: Best Alternative Music from 2025 Mixtape (Side A) show released

So I’m releasing a VGM-inspired album in September, and here’s the second single

A tribute to forest and temple RPG themes from the last 40 years.

Yaelokre – ‘Composing Colentine’ Review

Bruno Bavota+Chantal Acda – ‘Safer Places’ Review

Introducing… Makk

Introducing… Felix Antonio

JFDR – from figure 8 Review

Marissa Nadler – New Radiations Review

Kardemimmit – ‘Kardemimmit Live Special’ Review

Finnish folk excellence.

Yaelokre – ‘Composing Colentine’ Review

Higher Plain Music Radio returns: Best Alternative Music from 2025 Mixtape (Side A) show released

Kalandra – ‘Mørketid’ Review

Faun and Chelsea Wolfe collaborate for new single ‘NIMUE’

Gitta De Ridder – N​(​i​)​e​(​u​)​w Land Review

Emaline Delapaix returns with magical ethereal winter folk lullaby with new album to follow

Abigail Hubbard – ‘People Watching’ Review

Discovering a trip hop gem, 14 years after its release.

Introducing… Greenness

Higher Plain Music Radio EP.014: Ephemeral Jazzy Tendrils Sliding Through My Folk

Introducing… Squirrel Flower

Introducing… Christa Wells

Introducing… Marina Yozora

Jesca Hoop – ‘Long Wave Home’ Review

Kardemimmit – ‘Kardemimmit Live Special’ Review

Finnish folk excellence.

Yaelokre – ‘Composing Colentine’ Review

Myrkur’s latest single takes part in Denmark’s Eurovision selection process

Kalandra – ‘Mørketid’ Review

Ásgeir takes on lyrics and liberation on new single ‘Ferris Wheel’ with new album in 2026

Faun and Chelsea Wolfe collaborate for new single ‘NIMUE’

Psamathes – Unjer eg Adrum Review

Drumspyder – ‘Fivefold Craft’ Review

Rhythmic meditation rooted in medieval British and Celtic song.

Faun and Chelsea Wolfe collaborate for new single ‘NIMUE’

Wendy Rule – Meditations on Darkness and Light Review

Sara Parkman – Eros, Agape, Philia Review

Introducing… Sun V Set

Nemuer are a dark pagan folk band that runs a 24/7 radio station dedicated to the genre

Nanna Barslev – Lysbaerer Review

Suntou Susso’s award-winning Kora-based music kicks off extensive UK tour

A UK tour, but a universal message

Drumspyder – ‘Fivefold Craft’ Review

El Búho – ‘Kerala Rain’ Review

Higher Plain Music Radio returns: Best Alternative Music from 2025 Mixtape (Side A) show released

Tidiane Thiam – ‘Siftorde’ Review

Introducing… Hedera

Hideaki Masago – Jomon Journey Review

Button Masher announces new album, a homage to VGM greats like Uematsu, Kikuta, and Mitsuda

For fans of 90s JRPG soundtracks amped to 11.

Roboctopus – ‘Vaporchip Volume 1’ Review

Boy Without Batteries – ‘Glass Cannon’ review

Grizzly Cogs – ‘Tiny Jukebox’ Review

PICE – Game Over Review

Manoske – Kairanban EP Review

Run! Run! Jump! Punch! – Pizza Trois Sauvages Review

Introducing… Flesh Produce

Nu-metal meets... 8-bit electronics?!

Grizzly Cogs – ‘Tiny Jukebox’ Review

Run! Run! Jump! Punch! – Pizza Trois Sauvages Review

Live Vault – Master Boot Record

Anamanaguchi’s cover of Nirvana’s ‘Territorial Pissings’ is glorious

Live Vault – Master Boot Record

Run! Run! Jump! Punch! and Marty Can Fly – MEGA FUN PARK Review

Roboctopus – ‘Vaporchip Volume 1’ Review

What if a Gameboy and some disco music got stuck in an elevator?

Grizzly Cogs – ‘Tiny Jukebox’ Review

Shirobon – Breaker Review

Shirobon – Data Mind Review

Corset Lore – 81 Terpsichore Review

ChronoWolf – Doki Doki Gravity Dive Soundtrack Review

Lukhash – We Are Stardust Review

Throw Down Bones – ‘4EP’ Review

Workout music for demons

A Thousand Mad Things – ‘Hate It’ Review

Jon Hopkins and Imogen Heap collaborate for track ‘Reckoning’ after 30 years of friendship

Bio Music Vibrations uses technology to listen to plants and trees around us

PJ Harvey returns with ‘Voyager’, with a new project in the works

Flickers from the Fen – ‘Coda for Gielinor’ Review

Higher Plain Music Radio EP.013: Dark. Electronic. Basement.

Bio Music Vibrations uses technology to listen to plants and trees around us

Each plant has its own song.

kwes. – ‘Kinds’ Review

Introducing… Filip Leyman

Heinali and Andriana-Yaroslava Saienko – Гільдеґарда (Hildergard) Review

Innovative Landscapes Laboratory – Spontaneous Dimensions Review

Introducing… Maya Shenfeld

Kathryn Joseph announced reworked album with Lomond Campbell

A Thousand Mad Things – ‘Hate It’ Review

Theatrical dark wave and synth pop for all our sad goths needs

Introducing… Sarah Nimmo

Bic Runga – ‘Red Sunset’ Review

Soft Cell’s ‘Out Come The Freaks’ signals the duo’s final album following Dave Ball’s passing

Minute Taker’s upcoming album looks set to be a retro-future synthwave powerhouse

Pattie Gonia & Imogen Heap collaborate for social and environmental justice

ionnalee, iamamiwhoami – BLUE in Concert (Live Versions) Review

PJ Harvey returns with ‘Voyager’, with a new project in the works

What would the Voyager spacecraft tell us if it could?

Higher Plain Music Radio EP.013: Dark. Electronic. Basement.

The Anchoress returns with a baby, not a lobotomy, for her third album

Bic Runga – ‘Red Sunset’ Review

Introducing… Magnetic Skies

Live Vault – C Z A R I N A

Introducing… Neon Bloom

Introducing… Jahrund

My favourite dark pop discovery of 2026 to date...

Minute Taker’s upcoming album looks set to be a retro-future synthwave powerhouse

ionnalee, iamamiwhoami – BLUE in Concert (Live Versions) Review

Introducing… Lone Assembly

Grizzly Cogs – ‘Tiny Jukebox’ Review

Dan Terminus – ‘NOIR’ Review

Jim E. Brown’s single about having a mental breakdown in a supermarket feels exactly how it is to be in the UK in 2025

So I’m releasing a VGM-inspired album in September, and here’s the second single

A tribute to forest and temple RPG themes from the last 40 years.

Nobuo Uematsu shares behind the scenes making of for Merregnon: Heart of Ice

The White Mages – ‘Ode to Final Fantasy’ Review

Square Enix Vocal Covers – “Timeless Classics Vol.2” Review

Piano Day 2026 Celebrations with a Higher Plain Music Radio Mixtape

Grizzly Cogs – ‘Tiny Jukebox’ Review

mikedrop & LoFi VGM – Silent Hill 2 EP Review

Throw Down Bones – ‘4EP’ Review

Workout music for demons

ACTORS and ULTRA SUNN release new singles as label Artoffact provide our goth summer

James Ellis Ford turned his leukaemia treatment sessions into a creative outlet for music

Mileece – ‘Foundations’ Review

Jon Hopkins and Imogen Heap collaborate for track ‘Reckoning’ after 30 years of friendship

Aluminé Guerrero & El Búho – ‘Patagonia Patagonia’ Review

Flickers from the Fen – ‘Coda for Gielinor’ Review

Throw Down Bones – ‘4EP’ Review

Workout music for demons

ACTORS and ULTRA SUNN release new singles as label Artoffact provide our goth summer

Dan Terminus – ‘NOIR’ Review

If you enjoy dark electronic music then Alfa Matrix’s celebratory 69 track pay-what-you-want album is for you

Camilla Sparksss – ICU RUN Review

Introducing… Lunar Lock

Almaazz – Sot Wa Sada Review

Jon Hopkins and Imogen Heap collaborate for track ‘Reckoning’ after 30 years of friendship

The sound of summer is here.

Bonobo announces new album ‘Distance in Static’ as an era-ending release

Soft Cell’s ‘Out Come The Freaks’ signals the duo’s final album following Dave Ball’s passing

Introducing… Flesh Produce

Camilla Sparksss – ICU RUN Review

Introducing… HAAi

Fever Ray – The Year of the Radical Romantics Review

Aluminé Guerrero & El Búho – ‘Patagonia Patagonia’ Review

A danceable ode to the forest and the spirits within it.

Bonobo announces new album ‘Distance in Static’ as an era-ending release

Introducing… Jahrund

Live Vault – Kalya Scintilla

Muuju – Bedforms Review

Barrio Lindo – ecdysis Vol 1

Introducing… Blue Loop

ACTORS and ULTRA SUNN release new singles as label Artoffact provide our goth summer

Two darkwave anthems to dance-cry to.

A Thousand Mad Things – ‘Hate It’ Review

Higher Plain Music Radio EP.013: Dark. Electronic. Basement.

Dead Can Dance’s Brendan Perry can’t dance around his puzzling generative AI stance

Frenchy and the Punk declares ‘War on War’

Introducing… Lone Assembly

Introducing… A Thousand Mad Things

Jesse Mac Cormack – Joy Review

A euphoric collection of dance anthems to lift your spirit.

Nanode – FLOTE Review

Introducing… Keinemusik

Introducing… SNAILS

Introducing… Evil House Party

Introducing… Violent Vickie

RoboRob – Kingdom Heartbeats Review

Jon Hopkins and Imogen Heap collaborate for track ‘Reckoning’ after 30 years of friendship

The sound of summer is here.

Higher Plain Music Radio EP.013: Dark. Electronic. Basement.

Introducing… Loma Reqs

Jinjé & A. Montane – ‘Neon Garden EP’ review

Boy Without Batteries – ‘Glass Cannon’ review

HAAi turns her new album ‘HUMANiSE’ into a superb live audio visual performance

Fever Ray – The Year of the Radical Romantics Review

Throw Down Bones – ‘4EP’ Review

Workout music for demons

Drumspyder – ‘Fivefold Craft’ Review

PICE – Game Over Review

Humano – Los Diablos Siguen Ahí Review

Kaöb – Danza Lingüística Review

Chouk Bwa & The Ångströmers – Somanti Review

Shirobon – Breaker Review

Abigail Hubbard – ‘People Watching’ Review

Discovering a trip hop gem, 14 years after its release.

Bonobo announces new album ‘Distance in Static’ as an era-ending release

Introducing… Blue Loop

Introducing… 16 Underground

Emiliana Torrini – Miss Flower Review

Introducing… Don Gog

Elsiane – E L S I A N E Review

Nobuo Uematsu shares behind the scenes making of for Merregnon: Heart of Ice

An original album of classical music and a childrens story.

Linus Alberg – ‘UON’ Review

Kadhja Bonet’s ‘Geodesic Planet’ shows there can be beauty in unfinished and incomplete art

Blurstem – ‘Fallen Fragments’ Review

Marika Takeuchi – ‘Iridescence’ Review

Øystein Skar – ‘Stories for A’ review

Hanakiv returns with new album ‘Interlude’… and the pianist is bringing her voice this time

Linus Alberg – ‘UON’ Review

Turning the harmonium into a full string section in this cinematic piano collection.

Anja Plaschg (Soap&Skin) forms new band EXIT VOID, and it’s just as haunting as their solo material

PILOTPRIEST – ‘Spring EP’ review

Akira Yamaoka – ‘Return to Silent Hill’ Original Motion Picture Soundtrack review

Dan Terminus – ‘NOIR’ Review

Bayonne and Nathaniel Earl – Temporary Time (Scores) Review

Edward Cross – When The Dust Settles Review

Higher Plain Music Radio EP.014: Ephemeral Jazzy Tendrils Sliding Through My Folk

A hazy mix of indie folk rock and experimental... choir work?!

The 2026 World Harp Competition is in full flow – watch the semi finals and final live

Marika Takeuchi – ‘Iridescence’ Review

Piano Day 2026 Celebrations with a Higher Plain Music Radio Mixtape

Barry Hudson-Taylor – ‘Flutter’ Review

Øystein Skar – ‘Stories for A’ review

Sō Percussion – ‘Amid The Noise Live’ review

Marika Takeuchi – ‘Iridescence’ Review

Personal emotional recovery from the foot of the mountain.

Hani Rani’s new album is the soundtrack ‘Sentimental Value’ that extends beyond the film

Hideyuki Hashimoto – ‘Sign’ Review

Introducing… Sofi Paez

Introducing… Molly Joyce

Introducing… Edward Cross

Introducing… Cephas Azariah (with a stunning live performance)

Linus Alberg – ‘UON’ Review

Turning the harmonium into a full string section in this cinematic piano collection.

Blurstem – ‘Fallen Fragments’ Review

Piano Day 2026 Celebrations with a Higher Plain Music Radio Mixtape

Barry Hudson-Taylor – ‘Flutter’ Review

Hideyuki Hashimoto – ‘Sign’ Review

Linda Rum – ‘Vienna’ Review

Arcana return after five years with new single, album coming 2026

PJ Harvey returns with ‘Voyager’, with a new project in the works

What would the Voyager spacecraft tell us if it could?

Nobuo Uematsu shares behind the scenes making of for Merregnon: Heart of Ice

Kadhja Bonet’s ‘Geodesic Planet’ shows there can be beauty in unfinished and incomplete art

St Vincent, Jules Buckley – ‘Live in London!’ Review

Ambre Ciel – still, there is the sea Review

Lido Pimienta – La Belleza Review

Final Fantasy Distant Worlds London 2025 Review

Linda Rum – ‘Vienna’ Review

A warm and uplifting tribute to a city of creative spirit.

Live Vault – KASHIWA Daisuke

Introducing… Jeremy Dutcher

Alberto Giurioli – Life Review

Introducing… Bryan Senti

Introducing… Bruit ≤

Poranguí launches new video series explaining the lineage of medicine music instruments

Learn about the didgeridoo and other ancient instruments.

Sahel Sounds launches Autotune The World, a new label capturing world music in transition

Aluminé Guerrero & El Búho – ‘Patagonia Patagonia’ Review

Placa Placa – ‘Placa Placa’ Review

Suntou Susso’s award-winning Kora-based music kicks off extensive UK tour

Dead Can Dance’s Brendan Perry can’t dance around his puzzling generative AI stance

Imarhan – ‘Essam’ Review

Sahel Sounds launches Autotune The World, a new label capturing world music in transition

Local music found in the local markets!

Placa Placa – ‘Placa Placa’ Review

Suntou Susso’s award-winning Kora-based music kicks off extensive UK tour

Imarhan – ‘Essam’ Review

Tidiane Thiam – ‘Siftorde’ Review

Introducing… Asher Gamedze

Crown Lands – Ritual II Review

Shelby Natasha – ‘It Was Mine’ Review

A melting pot of Chinese folk, lo-fi beats, and ethereal vocals.

Introducing… Tian Qiyi

Aga Khan Master Musicians – Nowruz Review

Mindy Meng Wang, Sui Zhen – Origin of You Review

Introducing… Zen (Ansa GaRangDengZhen)

Mindy Meng Wang – Phoenix Rising Review

Kaya Project – Zheng ’21 Review

Introducing… Varijashree Venugopal

A bombastic six piece arrangement of some of the finest Carnatic music released last year.

Sunday Driver UK – Sun God Review

Anoushka Shankar – Chapter II: How Dark It Is Before Dawn Review

Sheherazaad – Qasr Review

Sonny Singh – Chardi Kala Review

Ranjana Ghatak – The Butterfly Effect Review

Ravi Shankar – Nine Decades Vol. 6 Dutch-India Airwaves Review

Introducing… Loma Reqs

Welcome to Kurdish Acid

Introducing… Ko Shin Moon

Maryam Rahmani – Kamand Review

Introducing… Nadah El Shazly

Aga Khan Master Musicians – Nowruz Review

Introducing… Tragoe Damon

Introducing… Hiatus

Aluminé Guerrero & El Búho – ‘Patagonia Patagonia’ Review

A danceable ode to the forest and the spirits within it.

Placa Placa – ‘Placa Placa’ Review

El Búho – ‘Kerala Rain’ Review

Live Vault – Mose’s 3-hour set in Brazil to tease upcoming album

Mas Aya – Still, Flowing Review

Miguel Noya – Biofonía II: Voces de la Tierra Review

Lagartijeando – 7 Caminos Review

Poranguí launches new video series explaining the lineage of medicine music instruments

Learn about the didgeridoo and other ancient instruments.

Alessandro Ambrosi – ‘The River in The Sky’ Review

Paul Cheneour & Zhuyang Liu – ‘Fire Serpent’ Review

Suntou Susso’s award-winning Kora-based music kicks off extensive UK tour

Dead Can Dance’s Brendan Perry can’t dance around his puzzling generative AI stance

Shelby Natasha – ‘It Was Mine’ Review

Introducing… Loma Reqs