Acoustic
-
Introducing… Charm of Finches
Aussie duo Ivy and Mabel form the haunting folk chantresses of Charm of Finches. Their voices are beautiful and have the ability to flit from…
-
Good Good Blood – Old Mountain Review
Indie folk man Good Good Blood has had a steady output of several EP’s and an album over the last two years and this year…
-
Introducing… Majken
Majken first intrigued me with her SoundCloud genre tag. Gospel-grunge. It’s not even a concept that had crossed my mind but it perfectly describes Majken’s work…
-
Fred Abong – Homeless Review
Former Throwing Muses and Belly band member Fred Abong has been in around music for over 30 years but this marks his first real release…
-
Materia Collective announce Final Fantasy Guitar Collections (plus Stardew Valley Piano Collections)
As a massive fan of the Final Fantasy Piano Collections, I will always clamber for more intricate and unusual interpretations of game music, including Final…
-
Joyner – Joyner Review
Soothing voices that hush and coo their way over chilled out dream pop – that’s how I’d describe Joyner’s self-titled debut EP. Sisters Summer and…
-
Introducing… IAKO
Gentle lullaby's to enjoy on sepia evenings
-
Jim Ghedi – “A Hymn For Ancient Land” Review
The warm arms of a summer folk's night
-
Johanna Warren – “Gemini II” Review
An exceptional twin follow up to Gemini I
-
Lowpines – “In Silver Haildes” Review
Music to mumble too in shuffle fashion
-
Emaline Delapaix – “Songs From the Road Vol 1” Review
Acoustic ditties to swoon to
-
Introducing… Steve Hewitt
A new gem in UK folk music
-
Rosemary & Garlic -“Rosemary & Garlic” Review
Is it too early to call album of the year already?
-
Video Vault – Johanna Warren
A beautifully stripped back folk song.
-
Introducing… Long Neck
Powerful vocals and a meaningful stance
-
Tom Rosenthal – “Fenn” Review
Acoustic anthems for the underdogs
-
Raoul Vignal – “The Silver Veil” Review
The softest of voices with an album of gold
-
Aldous Harding – “Party” Review
Melodies from the damp
-
Kev Minney – “Stories Of The Sky” Review
Spacious, calming and full of little surprises
-
Angharad Drake – “Ghost” Review
Discovering a new talent for the first time
-
Introducing… Kev Minney
Hushed male tones to whisk you away
-
Scarlet Crow – “Remembrance” Review
Two voices, a multitude of sounds - sleeper hit of 2017
-
Brenda Xu – “Overflow” Review
Organic singer songwriting at its fragile best
-
Introducing… Jetty Rae
Taking a soulful time out to breathe and then rock
-
Western Skies Motel – “Settlers” Review
One of the most understated greatest guitar albums of the decade
-
Live Vault – Charlotte Martin
The underground piano songstress is back
-
Waldtraene – “Unter Wolfes Banner” Review
German tavern shanties to raise a flag to
-
Higher Plain Music’s Top 25 Albums of 2016
My 25 best albums of 2016. Happy New Year!
-
Faun – “Midgard” Review
The royalty of Pagan Folk retain their throne
-
Lou Rhodes – “Theyesandeye” Review
Lou gets enlightened with an album to get lost in
-
Introducing… Gitta de Ridder
Simplicity in voice and melody
-
Inti Ray – “Stoned” Review
Dealing with loss in a minimal sound
-
Bitter’s Kiss – “Bitter’s Kiss” Review
A good voice does not a good album make
-
Natalie Imbruglia – “Male” Review
Natalie takes a turn at country folk and covers
-
Soley – “Don’t Ever Listen” Review
Minimalist offerings that leave you cold
-
Introducing… Matt Kivel
America meets Scottish folk in this tear jerker single
-
Introducing… Tina Refsnes
Oslo's finest in chilled out folksy sweet nothings
-
Emaline Delapaix – “Exorcism” Review
Australia's best new discovery in chamber folk
-
Rosemary & Garlic – “The Kingfisher” Review
Shoegaze folk heaven
