Indie
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Fred Abong – Homeless Review
Former Throwing Muses and Belly band member Fred Abong has been in around music for over 30 years but this marks his first real release…
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Gregory Douglass – Live From The Chapel Review
One of the most talented underground singer/songwriters I’ve come across over the last decade is Gregory Douglass. His vocal gymnastics emphasis heartfelt songs along with…
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Tash Sultana unveils new single and debut album
Tash Sultana has become something of an internet icon, shooting to fame on YouTube with bedroom concerts that showcase her pure love for playing the…
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Introducing… At Pavillon
Hailing from Vienna, indie pop-rock band At Pavillon mix up chunky guitar riffs with dance floor electronica synths. They remind me of Fenech Soler but…
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Belly – “Dove” Review
It’s been over 20 years since the last album from Belly. Music has changed but the DNA of rock hasn’t. When a band gets back…
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Introducing… Great Pagans
Dreamy pop rock that mixes some of the best production from the new romantics’ era with some of the modern-day misery we all know and love.…
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Mesadorm – Heterogaster Review
Mesadorm’s debut album has a European art-pop flavour about it. Heterogaster is a melting pot of ideas and individual artists each bringing their own artistic…
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Introducing… Strange Relations
All is fine in the indie pop world
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Video Vault – Foriegn Poetry
Swiss Alps and melodic rock combine
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Bryde – “Like An Island” Review
Indie album of 2018?
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Introducing… Ay Wing
More identities in a music video than a superhero movie
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Tom Rosenthal – “Don’t Die Curious” Review
A happy EP for giving you the wind beneath your wings
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Introducing… Breathe Panel
Seaside shoegazers launching debut album
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Stephen Johnston launches DIY Musician Postcast
A new resource of help and support for artists
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Ticktock – “A Violence of Innocence” Review
Awkward genre shifting pop for the artsy inner self
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Introducing… Concrete Knives
Indie pop five years in the making
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Introducing… Lowpines
Indie folk to mellow out to
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Tom Rosenthal – “Fenn” Review
Acoustic anthems for the underdogs
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Introducing… Mesadorm
Crazy cute indie pop project to make you smile
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Introducing… Michael Jablonka
Guitar and hair life goals collide
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Introducing… Childcare
In homage of awful stock photos
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Introducing… Lone Kodiak
Music in the face of adversity and recovery
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Introducing… Violet
Welcome to 1996 Britpop in 2017
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Courtney Farren – “Nothing Like It” Review
The quiet reflections between each breath
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Raoul Vignal – “The Silver Veil” Review
The softest of voices with an album of gold
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Zola Blood – “Infinite Games” Review
An album crammed with hits in waiting
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SPC ECO – “Calm” Review
What a way to celebrate 10 years a band
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Elsiane – “Death of the Artist” Review
The most unique voice you'll hear in 2017
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Introducing… Kazyak
Indie rock for the camper van
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Introducing… Coincidence Bizarre
Like an outtake from LittleBigPlanet..,
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Introducing… Suntrodden
For the indie in all of us
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Introducing… Mountain Bike
Germany represents angry teens
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Niagara – “Hyperocean” Review
Tipping the balance of experimental electronica
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Clock Opera – “Venn” Review
Clock Opera popped onto my radar at the end of last year with an great synth rock single and with the release of their second…
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Lauren Hoffman & The Secret Storm – “Family Ghost” Review
When going from solo to a band effort pays off
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Rebekka Karijord – “Mother Tongue” Review
Rebekka’s music has often been quite sparse and minimalist but her powerful voice and ability to create a sombre and intimate atmosphere has always made…
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Introducing… Taffy
Japanese grunge quartet return with a new old sound




































