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Gazelle Twin returns with more creepy electronica

Satan rides of Hobby Horse on Wednedays

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Ryoji Ideka

Ryoji Ikeda comes to London for a new music and visual installation

Electronica binary art to submerge in

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Abi wade

Abi Wade – “Beautifully Astray” Review

Armed to the cello

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Music For Voyeurs

Music For Voyeurs – “Encounter” Review

Mysterious guitars and alien synths

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Kaleema

Kaleema – “Nomada” Review

Argentina’s new musician is a genre mashup class act

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Kelly Moran

Kelly Moran – “Bloodroot” Review

The prepared piano played from pluto

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Dijf Sanders

Dijf Sanders – “JAVA” Review

A new way to fuse music and culture has been born

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Kaitlyn Aurelia Smith

Kaitlyn Aurelia Smith – “The Kid” Review

One of the most experimental yet heady albums of 2017

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Bjork

Bjork – “Utopia” Review

Feeling over melody for the Icelandic queen of avant garde pop

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Fever Ray

Fever Ray – “Plunge” Review

Fever Ray’s sensory overload will challenge and seduce

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Fever Ray

Fever Ray returns after eight year break

You’re invited to an bondage tea party.

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Bjork

Video Vault – Bjork

Spewing balls of love from the wounds of life

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Hauschka

Hauschka – “What If” Review

The line between genius and madness is straddled to perfection

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Ghost Marrow

Ghost Marrow – “Bunraku Warrior” Review

When beauty gets twisted

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Benedikt

Introducing… Benedikt

My first big new discovery of 2016 has arrived

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Colleen

Colleen – “Captain of None” Review

Possibly the most avant garde folk release of 2015

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Unalaska – “Unalaska” Review

A unique brand of rock for those whom enjoy artistic psy-folk

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Soley

Soley – “Don’t Ever Listen” Review

Minimalist offerings that leave you cold

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Hannah Fury Returns

The lady of cute horror returns

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Introducing… Kathryn Joseph

Scotland’s pride is one of my favourite discoveries of 2015

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