Cinematic Music
-
Arttu Silvast – Polarity Review
All aboard the cinematic sailing soundtrack
-
Ryan Dugré – Three Rivers Review
A lesson in humble melodies.
-
D R Ø M – Piccole Canzoni Sospese Review
Music for exploring planets
-
Break My Fucking Sky – BLIND Review
Breaking new ground for post rock love
-
C Diab – White Whale Review
Bowed guitars like you've never heard them before
-
Floating in Space – A New Dawn Review
Your new not-a-movie soundtrack for 2020
-
Introducing… Gabriella Metz
Operatic Folk - the genre you never knew you needed
-
Siv Jakobsen – A Temporary Soothing Review
Nordic folk perfection
-
Introducing… Ben Lukas Boysen
Atmospheric classical musings
-
Jeads – Under the Veneer Review
A music box frozen in time is a surprising treat for all
-
Human Pyramids – Power Pose Review
An explosion of childlike wonder
-
Marcus Warner releases feature documentary on how to create an Orchestral album
How to make an epic album in seven chunky steps!
-
Introducing… VANBUR
Cinematic dream pop to haunt you
-
Vieo Abiungo – The Dregs Review
A haunted pilgrimage through Africa
-
Nabeel Ansari – Sole Original Game Soundtrack Review
A distant orchestration of beauty in darkness
-
Dale North – The Long Return Soundtrack Review
Forest cinema
-
Penguin Cafe – Handfuls of Night Review
A musical journey across Antarctica
-
Daniel Elms – Islandia Review
Between isles
-
Introducing… Calista Kazuko
When cinematic lounge music packs a rockers punch
-
Eil Marchini wows with new single
Italian guitar virtuoso of cinematic soundscapes
-
Erland Cooper – Sule Skerry Review
Orkney Islands - the cinematic soundtrack
-
Jameson Nathan Jones – Static Deviations Review
Neo-classical composer Jameson Nathan Jones returned with his latest album earlier in the month. ‘Static Deviations’ revolves around the audio concept of taking piano, cello…
-
Richard Luke – Glass Island Review
Running Higher Plain Music over the last eleven years, I’ve been exposed to genres I hadn’t really taken much notice of before and classical contemporary…
-
Inon Zur returns with dramatic new single
Back with a bang with his own story to tell
-
Phil France – Circle Review
Space Synth Jazz is the genre I never knew I needed Phil France has captured my mind with his second album ‘Circle’ which released earlier…
-
Snorri Hallgrimsson – Orbit Reworked Review
Electrifying classics Snorri Hallgrimsson released his latest album ‘Orbit’ earlier this year which Higher Plain Music gave a super 8.5/10 in our review. As with…
-
Introducing… Charly Martin / Wings For Louise
2018 has been a year in which I’ve really embraced the cinematic classical ambient side of music. Maybe it comes from my weary days of…
-
Imogen Heap – The Music of Harry Potter and the Cursed Child Parts 1 and 2 Review
Imogen Heap is a superb musician and her music has always been lush, layered and full of wonder and richness right the way back to…
-
Winifred Phillips – SCRAPER First Strike VR Soundtrack Review
The battlefield has no need for subtly Winifred Phillips has never been one to shy away from epic orchestral scores that evoke a sense of…
-
Anne Lovett – The Eleventh Hour Review
Classically cinematic Anne Lovett’s piano-focused compositions make for a subdued and reflective sophomore album with ‘The Eleventh Hour’. Lovett’s knack for creating simple motifs and space…
-
Masakatsu Takagi – Mirai Original Soundtrack Review
When Japanese folk meets modern day playground Mamarou Hosoda’s most recent animation Mirai hit cinemas last week and it’s another beautifully judged emotional rollercoaster of…
-
Max LL – Golestan Review
The Majestic Magic of Iran in the Palm of your Hand Max LL is somewhat of a travelling musician. Each of his albums takes on…
-
Imogen Heap shares tracks for her upcoming Harry Potter score
Adapting music from stage to album soundtrack is a tricky business and since she’s already had to create 100 musical moments for the stage performance…
-
Dead Can Dance share new track “Mountain” from upcoming album
Dead Can Dance have released their preview single “The Mountain” ahead of the release of their new album Dionysus which is due out 2nd November.…
-
Olafur Arnalds – Re:member Review
A moving and emotional modern classical classic Emerging over the years as one of the forerunners of modern classical composition, Olafur Arnald’s blend of warmth, whimsy,…
-
Manu Delago – Parasol Peak Review
This is how you make a travel album As my go to hang drum player, I’ve been slowly catching up on some of Manu Delago’s…
-
Joe Hisaishi – Symphonic Castle in the Sky Review
Transforming a magical anime soundtrack into a 30 minute symphony Joe Hisaishi’s compositions for Studio Ghibli have always been remarkable and rich with their orchestrations…
-
Jason Graves – Moss Soundtrack Review
Moss is a wonderful looking VR game which, as I’ve not got VR myself, I haven’t played personally but still watched the trailers thinking not…
-
The Eye of Time – Myth II A Need To Survive Review
Experimental Post Rock Electronica That Goes Straight For The Feels Veering off into the world of highly experimental The Eye of Time, the moniker French…
