Electronica
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Imogen Heap shares tracks for her upcoming Harry Potter score
Adapting music from stage to album soundtrack is a tricky business and since she’s already had to create 100 musical moments for the stage performance…
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Son Lux – Yesterday’s Wake Review
Proof that recycling works Son Lux has always had a penchant for reworking his music into different forms and versions. Almost all his albums have…
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Introducing… Ani Glass
It’s not often I get to enjoy Welsh language music that isn’t in the vein of traditional folk music and as a Brit that makes…
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Benedikt – Fascia Review
Creepy drone pop for midnight Benedikt burst onto my ears in 2016 with his superb debut EP Soma. His dark electronica meshed avant-garde weirdness with genuine…
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Xyce – Pop Review
Unabated joy and delight from your Disco Gameboys Xyce Xyce are my go-to duo for cheesy, deliriously happy chiptune music. The Dutch pair has continuously…
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Future Generations – Landscape Review
Retro-future-synth-fusion-party-things Future Generation’s return with their second album and it’s a heady mix of 80’s synth pop and modern day indie pop. “Landscape” is crammed…
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Iglooghost – Steel Mogu and Clear Tamei Reviews
The kitchen sink has been well and truly played with Iglooghost popped onto my radar when I saw them mentioned in Bandcamp’s albums of the…
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Introducing… Eden Warsaw
I love it when genres mash together and that’s exactly what Toronto based band Eden Warsaw do so well. Their fusion of electronica, rock and…
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Gazelle Twin – Pastoral Review
Social Anxiety and a Pointed Finger from the Piper Herself Knowing how to describe what Gazelle Twin does with sound is a bit like asking…
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Olafur Arnalds – Re:member Review
A moving and emotional modern classical classic Emerging over the years as one of the forerunners of modern classical composition, Olafur Arnald’s blend of warmth, whimsy,…
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Chelsey and the Noise – Blank Frames Review
When gothic electronica meets guitar noise in a dance hall showdown Chelsey and the Noise is what I’d imagine would happen if St Vincent turned…
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Steve Gibbs – Adrift Reworks Review
Taking reflective piano to the quiet dance club When Steve Gibbs released Adrift back in 2014, I gave it a glowing review as it was…
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Heinali Returns With New Single and Album of Blissful Bleeps
Heinali, whom I was introduced to with the absolutely stunning Bound game soundtrack, is returning with a new album and judging from the epic ten-minute…
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Knightstown – Knightstown Review
Electronic moody dream pop producer Knightstown follows up his excellent EP with his self-titled debut album which came out yesterday. With his trademark hushed high…
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Wired To Follow – WTFHQ01 Review
Wired To Follow’s latest release WTFHQ01 continues to show the Liverpool based project as completely genre-defying. It’s part rock, it’s part ambient, it’s part electronica,…
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Video Vault – Gazelle Twin
In what I can only describe as perfectly and beautifully deranged, Gazelle Twin’s music video for the equally creepy horror like song “Hobby Horse” features…
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FOXTROTT Releases Meditations II
Artists that release their entire catalogue for free so you can sample their stuff before you buy them have my deep gratitude. FOXTROTT returns with her…
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Soap&Skin Returns with new single, album and bit of light in doom
Soap&Skin’s music has always been gothic doom wrapped up in some of the most delicate piano and eerie banshee vocals. Returning after a couple of…
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Adam Fielding – Mesmera Review
Adam Fielding returns from a run of more ambient drenched electronica albums to something a little more sci-fi tinged and cinematic with his new album…
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Searmanas – Searmanas Review
Take one part early Lamb and two parts Juliana Barwick and a pinch of Mandalay sprinkled on top and that’s as close as I can get…
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Qntal – VIII Nachtblume Review
Qntal’s eighth studio album Nachtblume is another leaf in the page of their electronica-pagan-rock hybrid. There’s still not a band out there that quite does…
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Liars showcase their haunting film soundtrack with three chilling music videos
Liars last month released a trilogy of music videos that showcase just how creepy and haunting they can make an original soundtrack. Whilst the band…
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Balloon Ride Fantasy – BRF Review
Over the last few years, synthpop acts that bleed across into indie pop or indie rock has gathered more and more momentum and I’ve really…
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Introducing… Albecq
Albecq is the project name for three music producers that have got together to share their love of synths. Angus MacRae, James Jones and Thom…
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Delhia de France – Moirai Review
Delhia de France’s weird love or warbly synths and atmospheric noises are the trademarks that are smeared all over her debut EP “Moirai”. Each track has…
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Adam Fielding returns with new downtempo ambient album Mesmera
As someone who’s long been a fan of what Adam Fielding does for musicians by opening up his creative process by showing composition live streams and…
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VTR – Soul to Skin Review
VTR’s EP “Soul to Skin” is a lesson in less being more. The duo’s electronica roots veer away from beats and huge moments entirely. Instead,…
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Introducing… VTR
London based electronica duo VTR are busy preparing for their new EP entitled Soul to Skin, and the title track’s music video is the embodiment…
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Happy Kuru Kuru – Happy Kuru Kuru Review
Happy Kuru Kuru is exactly what would happen if Ayumi Hamasaki from 2008-2013ish would have a love child with a Vocaloid producer. It’s the happiest,…
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Introducing… Delhia de France
Soulful, dark electronica is exactly what you’ll be getting with producer and songwriter Delhia de France. Her debut single “Waterfalls” sounds like a slow-motion apocalypse…
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Introducing… RDTK
Italian styled electronica with a Brazilian tinge of home
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Introducing… The Woods
Funky, laid back, freebird baroque pop
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Dva – “Cherries on Air Chuchel Soundtrack” Review
The craziest soundtrack you'll hear all year
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Noel Griffin – “Sentient Life” Review
The robots make a lovely sound
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My Brightest Diamond – “Champagne EP” Review
To the dancefloor
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Gazelle Twin returns with more creepy electronica
Satan rides of Hobby Horse on Wednedays
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Ionnalee – “Everyone Afraid To Be Forgotten” Review
Enter my contender for album of the year 2018
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My Brightest Diamond returns with a more electronic palette
Handbags to the dance floor
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Zola Jesus – “Okavi: Additions” Review
Bonus tracks not to be missed
